The “Chin Chin” Crew packed up from the show Monday night in Sandusky, Ohio, traveled overnight the 100 miles to Lima, Ohio, to set up for another one night performance.
Advertising for the “Chin Chin” performance began in the Lima Daily News on 1 April 1920 with both an ad and a short article in the Theater and Movies section of the paper.
The article reads:
And the Ad shows:
FAUROT–”Chin Chin” is scheduled for appearance at the Faurot on Tuesday night with Walter Wills and Roy Binder in the leading roles, assisted by the biggest musical comedy aggregation on the road today.
The Plot of “Chin Chin” is so arranged that there is ample opportunity for many vaudeville interpolations of a nature that assures one hundred and fifty minutes of entrancing hilarity.
To relate the tricks of the pair of Chinese as they go thru their Arabian Night’s take would require much space.
“Chin Chin” is a clean and wholesome play, in seven scenes, requiring two sixty-foot baggage cars; the company comprises 65 people, mostly girls who appear in rich oriental costumes of many designs and variegated colors.
The following Sunday another an article ran in the Sunday News which included a rare photo of Donna with fellow “prima donna” Ethel Lawrence.
Photo quality is not great, however, Donna is clearly on the right. The Lima News, April 4, 1920, Via Newspaperarchive.com
Also, that issue of the paper included a much more thorough advertisement about the show including the Clown Saxophone Band and the Funny Laughing Horse. Further advertising on the day before the show and the day of the showing was similar.
The show appears to have gone on without problems. We don’t know if the company played on the 7th or 8th or if they had a couple days off, but they were in Steubenville on April 9th.
Faurot Opera House
Faurot Opera House Block
Source: Card Cow
Benjamin C. Faurot was a successful businessman in 1881 when he began construction on the Faurot Block. Facing Main and High streets, the building would be five stories high and include offices, stores, a music hall, the Lima National Bank, and the Faurot Opera House. The block design was in an “Americanized composition of the French Renaissance and Queen Anne.” It was a strikingly beautiful design and structure, so much so, that it is said to have so impressed New Yorkers that they used it as a model for theaters there.
The opera house opened in 1882 and was used for plays, vaudeville, and movies until June 1934.
Julius Cahn Theatrical Guide for 1913-1914 reported that the Faurot Opera House seated 1,183 people; 467 on the main floor, 266 in the balcony, 400 in the gallery, and 50 in boxes. It had a 30’ by 30’ stage with a five-foot apron.
The auditorium was used for storage for a time in the 1940s, then the Opera House was demolished in 1953 to make way for a Kresge Drug Store.
The newspaper articles I found regarding this show were from The Lima News. However, other newspapers of the time included the Republican-Gazette, Times-Democrat, the Advertiser, and the German language Courier. These papers should also be searched for potential photos and articles.
Newspapers.Com; The Lima News (Lima, Ohio) · Thu, Apr 1, 1920 · Page 11
Newspaperarchives.com; The Lima News – Lima, Ohio – Apr 4 1920 – 15970948
Today was a Newspaper research day. I utilized three of my favorite newspaper sites looking for places that the show “Chin Chin” was playing during April and May of 1920. “Chin Chin” has funny search results depending on how and where you search. I have found that instead of searching for Donna Montran and “Chin Chin,” it is better to search for Chin “Roy Binder” or Chin “Walter Wills.” Binder and Wills were the stars of the roadshow and are named in almost every article regarding the show.
Elephind is a free site. It searches the Chronicling America (US Library of Congress) as well as several other newspaper sources including the California Digital Newspaper Collection, and Illinois Digital Newspaper Collections. The advanced search doesn’t give many additional search options, just years, countries, and sources. In my case, I sought only records in the United States and during the year, 1920.
Elephind makes downloading a searchable PDF very easy. First, click on the article page. Then I highlight the page information, for example, I highlighted the following: The Bennington evening banner., May 13, 1920, Page PAGE TWO, Image 2. Then click on PDF and then the download icon. When it presents the file name, I replace it with my copied title. The metadata for the downloaded file indicates where the it came from. So between the filename and the metadata I have all of my source information.
Next, I went to Newspapers..com. Their search methodology is straightforward. It is easy to narrow the date to a particular month, in my case I searched from Apr 1 to May 30, 1920. Once Newspapers.Com identifies your matches, it is very easy to review the option then print/save the article as either a clipping or as a full page. The good news is that if you select “Save as PDF” it auto-documents the source information for the page. The bad news is that the article is an image within the PDF and is not searchable. It is like a JPG embedded in the PDF.
Newspaper Archives via MyHeritage
Next, I searched Newspaper Archives. I had a subscription to Newspaper Archives a few year ago and liked it. Now my subscription is through MyHeritage where my Data Subscription allows access to Newspaper Archives. The good news is that searching Newspaper Archives within MyHeritage resulted in many more matches than either Elephind or Newspapers.com produced. The bad news is that the date filters, even when set to “Match Exactly” don’t work. So, my search for “Chin AND Binder AND Wills” during April 1920, yielded 787,764 results. Admittedly, the first six matches were all articles I was looking for, however, after that the matches began to be from other months within 1920.
I did run into a problem using Newspaper Archives via MyHeritage. I often would find a match and then click on the article to see the detail, then not be presented with an option to display the actual page. I could not view the page nor download it. I sent their customer support an inquiry and provided them a screen shot of what I was seeing.
Upon drilling in and verifying the information was what I was looking for, sometimes the files downloaded fine, sometimes the file download errored. I was, however, able to download all the files I could zoom into and review. Like the technique I used on Elephind, I’d copy the newspaper title, examine the article, confirming it was an article I am interested in; then I’d download the file using the Document information I copied moments before. The files downloaded are PDF files and are fully searchable.
I used to have a subscription with Genealogy Bank. I liked them, but I found I just couldn’t afford three premium newspaper services. Once one of my other premium newspaper services expires, I won’t renew with them and will go back to Genealogy Bank. My plan is to continue with two premium newspaper subscriptions at a time.
12 New Venues for “Chin Chin”
Between the three sources, I found articles indicating that “Chin Chin” played on the following dates at the following cities:
The research didn’t fill out April and May 1920, in its entirety, but adding a dozen new places for Donna Montran’s career is a good day of research. Now I just need more time to research the particular venues.
Donna’s next stop with the company of Chin Chin was in Boise, Idaho on December 4th to the 7th. The Idaho Statesman ran many agent supplied articles and advertising for the show. Articles began in the “What Boise Theatre Managers Say About Coming Attractions” on November 23rd. It begins with a photo of the Famous Clown Band and continues with a short article.
“To Walter Wills and Roy Binder are are entrusted the principal parts, supported by a company of clever comedians and a beautiful chorus, In their songs. “The Chinese Honeymoon,” “Go Gar Sig Gong-Jue” and “Temple Bells,” the two clever comedians, Wills and Binder, make a decided hit and are always recalled again and again. In this charming fantasy with a Chinese atmosphere there are also a score of other songs that are the fascinating, whistling kind, and several unique dances that carry the snappy comedy along delightfully.
In the November 27th paper we learn that Ethel Lawrence plays, “Violet Bond,” the rich American girl.
mn ad. The ad reminds us of just how big the show was, particularly for a road show. At the Pinney Theater, Boise, this was “the biggest show in years.” The show had “two car loads of scenery.” We need to remember in 1919 they were referring to railroad cars. The company was huge, 65, including 40 girls. Repeat 40 girls and 35 men back of the scenes. I don’t know if they just couldn’t count or what, because 40 plus 35 is 75 in my world. We knew there was a circus in the show with a horse that Mademoiselle Fallofski tried to ride. We also learn of a ventriloquist show. A list of some of the songs in the production is also included.
Good-bye Girls I’m Through
The Pekin Patrol
The Chinese Honeymoon
We are reminded that ticket prices were low, from $.50 to $2.00, there was a whopping 10% war tax added to the ticket sales.
War Tax (aside)
World War I economics were staggering. Federal Expenditures increased from 1.3 billion in 1916 to almost 16 billion, over 1000%, in two years. (1) To pay for the war the government enacted many new taxes. I think that calling it a “war tax” was really good. I wish taxes today were as clear. Certainly, we know how much our social security and medicare taxes are, but everything else is sort lost in the general economy. I wonder if we had a “war tax” today, would we have quite so many wars.
Back to the Show
On page 10 there was an interesting picture of Marie Cavanaugh and Margie Taylor, whom we haven’t see mentioned in advertising before.
Because of the grainy nature of the image I could find, I just can’t tell exactly what they are doing. I have been unable to find a higher quality photo of it elsewhere. It would be interesting to find a better photograph of them in this role.
The text elsewhere on the same page let us know:
“Not for years has there been such a riot of artistically harmonized, faultlessly blended color upon any stage as Charles Dillingham’s production of ‘Chin Chin,” coming to the Pinney four days, December 4, 5, 6 and 7, Thursday, Friday, Saturday and Sunday.
“A flash of burnt orange trailing off into crimson, and we have a tea shop in Pekin. A splendor of apple-green, bronze-green, dull blues and bright blues, and a Chinese Bazaar filled with quaint toys and curious idol images, swings into view. A shimmer of moonlight on porcelain walls and among cherry branches at bloom-time and a place terrace rises slowly into sight. Presto! and we are on the outside of the dressing-tent of a great circus. All flapping canvases and posters of gaudy hue. Presto! and we smell the sawdust. A beam from Aladdin’s ‘lamp’ and all is romance again, the romances of trees and flowers and vistas of a park.
“Nor does the shifting scene contain all there is of color. There are costumes of every primary tint and every pastel shade, flaunting vermillions, lurid yellows, vitreous greens, great splashes of purple, subtle lengths and ripples of pink and azure and violet — an iridescence, a play of pigments that astonishes the eye.
“The vibrations of sound, too, are no less vivid. The tinkle of bells, the blare of horns, the fanfare of trumpets, the bravura of the orchestra, the melody of the singing voice. Sounds musical and sound unmusical, rhythmic sounds and sounds that confuse the ear, sounds sweet, dulcet, silver-toned symphonies, and sounds harsh, croaking, discordant — the who marching, waltzing, syncopating as such sound will, a musical babel of humor and delight — such is ‘Chin Chin.’”
“Chin Chin” dancers at the American Legion
The Idaho Statesman has an interesting article on page 8 of the December 2nd paper. We knew from other papers that the Chin Chin group played in Twin Falls, Idaho on December 1st. We don’t know where the company was on December 2nd. But, on December 3rd, part of the show was 20 miles west of Boise in Nampa, ID. The Joseph Murray Post of the American Legion, which was 70 members strong, put on a smoker (boxing match) that also included, “vaudeville from the Orpheum circuit, and dancing by the girls playing in Chin Chin.” We don’t know if Donna was with that group, but I would like to think she supported the Legion and their promotional activities. Another article, this time published on December 5th, indicated that the program was a success with approximately 200 returned soldiers, sailors and marines attending.
The newspaper had a very interesting release on December 4th.
“In the chorus of “Chin Chin,” to be seen at the Pinney on Thursday, Friday, Saturday and Sunday, there are 30 girls. More than two-thirds of these girls have never been seen either here or in New York.
“By an arrangement that was made with a talking machine Company, out of town applicants for positions in the chorus who were unable to go to New York, where the engagements were made, had their voices recorded on disk records at the various agencies, and the same were sent to Manager Charles Dillingham for consideration. All of the applicants wrote that they were anxious to begin their stage career under his direction.
“The competition lasted for two months, and those selected were given contracts and were notified to be ready for rehearsal.
“By this means Charles Dillingham believes that he has secured a unique chorus, well chosen for voice and beauty, the engagements being unprejudiced by any personal reasons.
Review mentions Donna
A very positive review published on December 5th regarding of “Chin Chin” says that,
“The conventional leads of the show were eclipsed by the specialities. Donna Montran, the good fairy who appears when Aladdin’s lamp is rubbed, has the best voice in the company.”
Way to go Donna!
There is an interesting note in the Society pages on December 14th. Under “Burley” it mentions that:
“Mrs. C. A. Sunderlin has been much entertained during the last two weeks. Mr. and Mrs. S. Grover Rich have a dinner, followed by a box party for ‘Chin Chin,’ Tuesday [which would be 12/9/1919], in honor of the Sunderlins.”
From that note, it appears that “Chin Chin” may have played in Burley on the 9th. I was able to find the Burley newspapers from that period are available via interlibrary loan. I’ve ordered it and will see what it show. This is important because I am not finding the Chin Chin show anywhere until into February 1920.
The Pinney Theater
In 1892, James A. Pinney build the Columbia Theatre. In 1908 the Pinney theater was built on the same site. It was an ornate theatre designed for stage. In the 1920s it began the shift to primarily movies. On February 20th, 1940 they hosted the world premiere of “Northwest Passage” which was filmed at McCall, Idaho, which is about 100 miles north of Boise.
The Pinney was demolished in 1969 and is a parking lot today.