EVIDENCE NOT SUFFICIENT TO HOLD HIM IN M’ALLISTER SLAYING
DEFENDANT GIVES RECORDER STATEMENT
William R. Bell, charged in a warrant with the murder of Edward L. McAllister, was dismissed by Judge Schwarz following a preliminary hearing in police court this morning. The recorder held that the evidence presented against Mr. Bell was not sufficient to hold him on a charge of murder, and he was accordingly set free. Col. Shelby Myrick, attorney, was in charge of the defendant’s case.
Bell’s Statement.
Making his statement to the court. Bell said on December 10 he got paid off in the morning. “Mr, McAllister told me he expected me to pay $5 on the amount I owed him that, pay-day. I told him it was Christmas and I wanted to buy a few thing for my wife and child. I told him. I had an insurance policy and that I intended to borrow some money on it and pay all 1 owed him,” he said. To this, Bell said, McAllister replied: “Bell, when I loaned you boys money I did not intend to punish you, but I want you to pay up, because I may not be abound here long.” In reference to the alleged charge that he carried a weapon after McAllister’s death, Bell said: “I had a pistol, but it was in the pawnshop.”
Preliminary to discharging the prisoner, Judge Schwarz commended the county police for the zeal they had shown in trying to solve a very difficult case, and said there was no reflection on the officers because of his Judgment dismissing the case.
Found Dead
Mr. McAllister was found murdered in his home on Thirty-ninth street near Ash a fortnight ago. He had been brutally slain with a hatchet. County police investigated and several days after the discovery of the murder Mr. Bell was arrested on a warrant sworn out by Joseph McAllister, of Pittsburg [sic], a brother of the dead man.
Showed No Apprehension.
As soon as he was set free Bell shook hands with his counsel, Colonel Myrick, and then went over to where his wife was sitting, just in front of the desk of J. F. Bernhardt, clerk of court. Mrs. Bell arose to greet her husband and the couple locked arms, in a loving embrace.
During the trial of the case Bell was alert, and at times prompted his counsel in an audible voice. When a telling point was made by Colonel Myrick in drawing out testimony favorable to him from a witness, Bell would smile and glance knowingly at Judge Schwarz. At times Belt seemed to enjoy the trial and at no time was any nervousness or apprehension apparent.
McCarthy Testifies.
Chief of Detectives McCarthy, the first witness in the case, told about finding McAllister’s body In the kitchen of his residence. The body was in a sitting posture, with the shoulders against the partition wall and the dead man’s head was leaning to one side. A bloody hatchet was on the kitchen table, A dish of rice and a bowl of coffee, without cream, but with the cream pitcher near, was on the table. McAllister had a fork or spoon in one hand, he said. After finding that McAllister’s house was outside the city limits, Chief McCarthy said he turned the case over to the county policy.
Brown Repeats Story
H. B. Brown told about the same story that he told before the coroner’s Jury. He said he and his wife went to McAllister’s home on the Tuesday the body was found. Looking through the window at the front of the house, he saw McAllister’s bed had been used. He then went around to the, rear of the housed and was then joined by a Mr. Carr, who asked them what they were looking for, and on being told, joined them in looking through the kitchen window. He saw McAllister’s legs. The window was not latched and they raised it up and saw that McAllister was dead, he said. He reiterated his evidence as to finding the hatchet and the position of the body.
Dr. George H. Johnson, the coroner told about visiting the house and examining McAllister’s body. His other evidence was confined to the statement that he found the dead man’s watch was running, and that it continued to run until the next night at 8:45 p. m. Based on this evidence, be gave it as his opinion that McAllister was killed between 8 and 9 o’clock the morning prior to the finding of the body.
Alleged Threats.
M. H. Bagwell of 1911 Price street, who worked at the Atlantic Coast Line shops with Bell and the dead man, testified that Bell owed McAllister money and that on December 24, when the force was about to be paid off he (Bagwell) laughingly said: “Boys, you are not going to get any money today, I see McAllister here.” Bell replied, he said: “if the D — – – – ties up my money I’ll kill him.” The witness said that McAllister had loaned money to the men at the shops but had never garnisheed him, (Bagwell) and it was also admitted that he did not “tie up” the prisoner’s money.
Evidence intended to show that there may have been trouble between the dead man and Bell was limited to a remark. Bagwell said Bell made, to the effect that if McAllister broke up his home he would kill him.
Mr. McCain of 203 York street, east, testified that he was present when Bagwell made the remark about the boys not getting any money and heard the defendant make the remark that he’d kill McAllister if he tied up his money. He said McAllister loaned money to the men at the shops. Asked by the recorder if McAllister charged them interest, the witness said he did not charge him any.
Lived in Macon
Bell resided in Macon about four years ago. He was married to Miss Lillian Lucile McClain on June 19, 1918. Miss McClain resided at Cross Keys at Macon, Prior to her marriage she was employed as a stenographer in Macon. At the time of his marriage Bell was a soldier at Camp Wheeler. He and his wife both have relatives in Macon.
After the two nights in Salt Lake City, the “Chin Chin” company packed up and headed to Ogden, UT, only 35 miles or so, to play at the Orpheum Theater.
The Ogden Standard 22 November 1919
Pre-show hype began on November 18th with a paragraph in the “Theaters” column which said, “Manager Goss announced today he has booked “Chin Chin.” the musical comedy event of the season, which with its company of 65 people, will be here on thanksgiving eve. Charles Goettier, business manager of the show, was in Ogden Sunday, completing arrangements for the company’s appearance.”
The paper on Friday the 21st saw the first advertisement for the show coming to the Orpheum. There was also a short advertising article about “Chin Chin Comes to Orpheum.” In the paper of the 22nd, there was a larger display ad for “Chin Chin”, an advertising article, and the now familiar photo of the “Four French Dancing Dolls.” The Ogden Examiner also ran several articles regarding Chin Chin and included the 16 women photo we’ve seen elsewhere.
The Ogden Standard – November 24, 1919
On November 24th, the Ogden Standard ran a new (for us) photo, this time of “The Four Chinese Blossom Girls.” Unfortunately, the quality of the photo is again insufficient to be sure if Donna is there or which one is Donna. I believe that the two middle women are other people but Donna could be either end person. Hopefully, we will find a better image of the four another time.
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Apparently there was extremely bad weather the night of the show. Depending upon which paper you read it was either a gale or a blizzard. In either event the Ogden audience wasn’t daunted by the weather.
“CHIN CHIN” DRAWS GOOD CROWD TO THE ORPHEUM THEATRE
Ogden Examiner – Nov. 27, 1919
“Chin Chin” an oriental fantasy, gorgeous in its investiture and colorful settings attracted a good house in the Orpheum theatre last night, dispute the gale that blew on the outside. There were lots of girls, some beautiful and some just girls, but ensemble they made a good impression as their voices blended harmoniously. The costuming showed discriminating taste — Charles Dillingham’s hand plain enough — and the __??__ went over with a bang, but—- And here’s the fly In the ointment– did you ever go up to a soda fountain and asks for a gin fizz or something like, and when you tasted it found that the dispenser forgot to put in the “fizz,” the drink was flat, you know. Well, that was just the matter with this production of “Chin Chin,” the dispenser forgot to put in the fizz –the seasoning was a little short.
However, on the whole, the show went by good after the f!r«t act, and picked up well just about the time the clown band got going strong.
There is practically no plot to the variegated performance. In the first act there were Aladdin and Violet Bond, a charming young American girl who drops in Pekin in search of a magical lamp, and the action is centered about her adventurer.
Carlton Reiger, well known in Ogden since he first came here with “Mickey” last summer was Aladdin. He joined the show in Denver and despite the short time has been with the show gave a creditable performance. He had a good lead voice and really was one of the shiny spots in the show.
Roy Binder and Walter Wills were the two dashing comedians who did extremely well in their specialities.
Others who carried their parts better than average were Donna Montran as “Goddess of the Lamp,” Neva Larry as “Sen Sen” and Irene McKay as “Fan Tan,” and Ethel Lawrence as the “American Girl.” Both Miss Montran and Miss Lawrence have pleasing voices.
The Teddy Bear dance was an Irish number and the clown saxophone band was the hit of the evening.
Popular song hits of the evening were: Violet,” “The Gray Moon,” “Love Moon,” “Go Gar Gig Gang Jur,” and “Good-bye Girl.”
Manager J. P. Goss announces Chaundey Oleoit in “Mascushla” on December 3, his first appearance here in ten years
The Ogden Standard also ran a short review. On Nov 28th they said:
“Chin Chin: Seen by Large Number At Orpheum
Despite a very bad blizzard a large attendance was registered at the Orpheum theatre Wednesday night to witness the performance of the musical melange “Chin Chin.”
Unfortunately, however the production was in now way one to call forth very hearty applause or admiration. Much of the music was very old without being at the same time good enough to be worthy of a long remembrance. The costumes and srake [?] settings were fairly attractive. The singing and acting, with one or two exceptions, were not on high grade.
Roy Binder and Walter Wills were the principal comedians and in most of their work did well.
Carlton Reiger, who appeared here as soloist at the first production of the moving picture, “Mickey” was not seen to advantage in his part. By far the most amusing and interesting items of the performance were contributed by the Saxophone Sextet, whose number would be a considerable headliner by itself on any vaudeville bill.
In extenuation of a poor performance it is to be borne in mind that the artists were most probably suffering greatly from cold on the stage.
The Orpheum Theater
The Orpheum Theater – Photo courtesy Utah State Historical Society
The Grand Opera House in Ogden, Utah, was build in 1890. It was a Romanesque style building with a seating capacity of 1,600 people. In 1909 its name was changed to the Orpheum Theatre after the Orpheum Theater Circuit which was a chain of vaudeville and theaters. The chain ultimately became the RKO – Radio Keith Orpheum.
In 1928 the theater was renovated with new ventilation and sound; the “Jazz Singer,” the first “talkie” played there in June of 1928.
Seating in the theater continued to get smaller and smaller with each renovation; the Film Daily Yearbook said the theatre’s seating was 1,037 in 1950.
It became exclusively a cinema in the 1940s and operated until 1982. In 1983 it was torn down to provide additional parking for the Ben Lomond Hotel.
I almost missed that Chin Chin played at the Grand Theater in Rock Springs Wyoming. But thanks to the Wyoming Newspaper Project’s indexing of the Rock Springs Miner, I was able to learn about that venue.
The Rock Springs Miner apparently was a weekly paper, so information about the show was limited to only two editions. The newspaper on November 14th, included an ad for the show, a brief article about the shows coming, and another photo of “The Four French Dancing Dolls.” The quality of this photo’s image is much better than the one which was in the Colorado Springs Gazette. Uncle Russell, Donna’s son, and I are fairly sure that the woman on the left is Donna.
It appears that Donna is on the left.
Rock Springs Miner – 14 November 1919
Thanks to the Wyoming Newspaper Project
The newspaper on November 21st also included the photo of “The Four French Dancing Dolls” along with an ad and a short write up article. The article also mentions, “There is no leading lady in this organization. Although a number of beautiful women, principals and otherwise, who is to enjoy the place of honor as first favorite is left to the choice of the public.”
The article goes on to say that, “It is estimated that 250,000 people from all points more than one hundred miles from New York have already seen ‘Chin Chin” while it was presented at the Globe Theatre in New York, and now Mr. Dillingham is actually bringing this his only company in its entirety to the Grand Thearte [sic].”
When I first saw the Google Maps photo of the Grand Theater today I was astounded. I couldn’t imagine what the company thought when they came to the Grand Theater. It appeared small, very small. By a quick Google Map view of the theater it appeared to be about 60 feet by 80 feet. It was difficult to imagine that such a small theater could host a cast of over 60 people and still have room for customers.
Then I contacted the good folks at the Rock Springs Historical Society on Facebook and asked them about the Grand Theater. They were kind enough to send a photo they had. Their photo clearly showed additional space in the rear, which probably housed the stage, changing rooms, etc.
What a relief. Back in the day, it held over 300 people. The photo also show a roof element that indicates the building was built in 1914 as a Labor Temple.
DISCOVERED NEAR THE CANAL; CITY POLICE INVESTIGATING
ONE SUSPECT IS HELD AT BARRACKS
An unidentified negro boy with wounds in, his head similar to those that killed Edward L. Mc Allister, was found on the canal bank this morning within a stone’s throw of the McAllister home.
Found at Canal.
The boy, who is about twelve years old, was discovered at the canal near Cedar street and Seiler avenue by J. D. Stafford, of 1312 Seiler avenue. He reported his discovery to the police. The negro had evidently been thrown in the canal by his assailant as dead. When discovered, his hands were clenched so tightly together as to be almost white. He was carried to the Georgia Infirmary.
Investigating
Savannah Press
27 January 1925
The negro was found just within the city limits and city police will investigate. Lieut. Hallford of the police, reports that the negro who up to this time is not identified beyond the name “Joe,” was chopped in the head with a hatchet.
County policemen who saw the wounds in the boy’s, head believe he was struck with a blunt instrument, not a hatchet. This view is said to be held by the physician who operated on the youth.
One Arrested.
The victim of the assault mumbled the name of someone supposed to have been his assailant. The city police have one suspect in custody. He is a negro. They, are looking for another negro.
The theory of the police is that the negro was thrown into the canal and that he crawled out on the bank, where he was found and the case reported.
McAllister’s Death,
McAllister was discovered dead In, his house a fortnight ago, terrible hatchet wounds having been inflicted in his head. William R. Bell was arrested and charged with the murder. He is now In jail awaiting a preliminary hearing. This will be held tomorrow morning.
The spot where the negro was found is within a very short distance of the McAllister home.
Donna in Cheyenne, WY, November 22, 1919 at the Princess Theater
Chin Chin ad, 19 Nov 1919
Wyoming State Tribune
We don’t know where Donna and the “Chin Chin” company were on November 20th or the 21st. It is likely there were somewhere, but wherever it was the local newspaper doesn’t appear to currently have an on-line archive available. It is likely they were in Colorado or Wyoming those dates.
The pre-show buzz began as it typically did about a week before the show. On November 15th, the Wyoming State Tribune reported that, “‘Chin Chin’ Is Coming.” Manager M. H. Todd of the Princess theater announced the coming of “Charles Dillingham’s greatest musical comedy success ‘Chin Chin’ on November 22nd.” The hype kept going with an article on November 17th regarding “Catchy Music In ‘Chin Chin.’”
The first Princess Theater ad regarding the show ran on November 19th.
Wyoming State Tribune – 19 Nov 1919
Besides the typical ad, there was a photo of many of the “Pekin Girls” that were in the show.
Looking carefully at this photo, neither Uncle Russ nor I believe Donna is in it. Also, on the 19th, the Wyoming State Tribune ran a short article about the show that indicated, among other things that the show was “a bevy of feminine beauty with pretty dresses, swift and grotesque dancing, a feast of music….” In this case, I believe that “grotesque dancing” means “comically distorted dancing.”
The newspaper on November 20th ran an article, “Choose Your Own Star” wherein they indicate, “There is no leading lady in this organization, although a number of beautiful women, principals, and otherwise song birds and actresses are in the cast. “It appears that show who is to enjoy the place of honor as first favorite is left tot he choice of the public.”
That is an interesting statement because it clearly comes from the press releases before the show. Sometime later, Donna’s press will say she was the star of “Chin Chin” which didn’t have a leading lady. I guess her place of honor in the company is our choice.
The day of the show, not only did The Princess advertise “Chin-Chin” tonight but Night-Cambell;s advertised that people could “Hear Tom Brown’s Famous Clown Band.” The Bucscher Saxophones used by the Clown Band were available at Knight-Cambell’s music. Also on the 22nd, there was the typical short article about the “Meaning of ‘Chin Chin.’”
The review of the show, which ran in the Wyoming State Tribune on Monday, November 24, 1919 was less than stellar.
First-Class Show; Second Class Cast
This Was Verdict of Big Crowd at Princess Theater Saturday Night — Many Possibilities, But That’s All
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“A first-class show,” said Little Mary Sunshine, after it was all over with at the Princess Saturday night.
“A first-class show, put on by a second-class company. corrected Old Man Grouch, sitting at her elbow.
And, if a vote had been taken, probably three-fourths of the capacity house would have agreed with the old Man.
It was easy to see that “Chin Chin had possibilities. It was easy to see why, when it came out in New York a number of years ago; Montgomery and Stone were able to keep it going night after night for something like two seasons. But it was also easy to see why, with Dave Montgomery dead, with Fred Stone in other productions, and with to the music now out of the so-called popular class, this show had lost a goodly share or whatever drawing power It may once have had.
A Few Pleasing Features.
The clown saxophone band was excellent. So were the performances of “Paderewski” at the piano, the fake ventriloquist, and the horse and bareback rider in the circus. The soprano got away in good shape when she sang something about violets, and again when she asked the tenor to fly with her to loveland. The costumes were quite a novelty.
But outside at that there isn’t much to be said. The scenery was rather shopworn, the chorus girls were drowned out by the orchestra at least half of the time, and, with the exception of the two comedians, who did their best to make up for the absence of ‘their illustrious predecessors, the cast was pretty much along the amateur style.
Good in its Day.
As one young lady remarked; “This reminds me of the plays we used to put on at the convent.”
The only song we can recall today was “Goodbye, Boys, I’m Through.” It was good in its day, but that day has long since passed.
There may have been a plot but if there was we don’t seem to in able to remember the details.
Perhaps the weakest fink in the chain was the big young tenor. He broke down twice. We excused him afterward, however, when we found that he had joined the troupe only last week in Denver—and then of course who knows but what be really did have a bad cold?
This Man Liked It
It also developed afterwards that this was the same young man who sang “Micky” when the movie by that name appeared at the Princess some time ago. And, it seem here was one man at least who knew how to appreciate the show.
“If the people of Cheyenne don’t like it,” he said Saturday morning, it may be because it goes over their heads—too high class for ‘em. That’s why it didn’t get by very well in Denver.
Maybe so, maybe so.
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The Princess Theater
Courtesy of the Wyoming State Archives, Department of State Parks and Cultural Resources
I can’t find out much about the Princess Theater in Cheyenne, Wyoming. I can’t find any information about when it was built. Certainly it was open in 1918 when it hosted WWI films. The Wyoming State Tribune mentions the Princess Theater being “prosperous” on Page 2 of the March 14, 1918 newspaper. So the theater clearly predates that date. [Anyone who can find information about the theater, please feel free to comment below.]
It appears that the building was sold in 1940. After the death of the owner in 1948, his widow had the building renovated in 1950. It was reopened as the WYO Theater. The WYO theater was closed in 1969.