|Motion Picture News, October 2, 1920, Page 2601|
|Motion Picture News, October 2, 1920, Page 2601|
Donna in Baltimore, MD, at Pacy’s Garden Theatre – September 13-17, 1920
We know that Donna played at Henderson’s Theater on Coney Island earlier in the month. She then came to Pacy’s Garden Theatre in Baltimore, Maryland.
The “California Bathing Girls,” a group of eight from filmland, feature the bill in a costume and song sketch, “A Beach Promenade.” Other acts are….
We know the show moves on to Washington D.C., and the Cosmos Theater the following week.
Pacy’s Garden Theater
Not much is known about Pacy’s Garden Theater. Although the theater opened in 1912, it is not listed in The Julius Cahn Theatrical Guide 1913-1914. The Yearbook of Motion Pictures – 1926 indicates that the theater seated 600. Cinema Treasures indicate that the theater closed in 1960 and was demolished.[ii] Today it is a parking lot.
Across the street from Pacy’s Garden Theatre was the Cross Street Market, which had a lunch counter. The market never closed until after the last show at the Garden Theater let out. After the last show, people crossed the street for milk shakes and hot dogs. The Market closed in 1990.[iii]
[i] The Sun (Baltimore, Maryland – September 14, 1920,1920-09-14 – Page 8 – Garden ad.
[ii] Cinema Treasures: Garden Theatre .
[iii] The Baltimore Sun, 24 September 1990, “Chrisikos clan bids a sweet farewell to Cross Street”
Donna in Bridgeport, CT, at Poli’s – June 30-July 2, 1927.
We know Donna played in Warren, PA, in early May, but don’t know where she, Sammy, and Hal Dixon were until the played at Poli’s Theater in Bridgeport, CT from June 30 until July 2, 1927.[i] [ii]
From the advertising it is clear that the movies had taken over. Irene Rich in a Warner Bros. silent feature, “The Climbers” was top billing. Even for the opening night, the “Donna Darling Revue” was promoted after “Amateur Night” in the “Amusements” article regarding what was playing at the Poli, which read:
AMATEURS TONIGHT AT POLI’S VAUDEVILLE
In addition to the amateur presentations tonight, Poli’s Vaudeville theater offers a splendid new program today.
Irene Rich leads an all-star cast through the screen version of the stage success “The climbers.” Commander Byrd’s start over the Atlantic is in Pathe News and a short Mack Sennett comedy completes the photoplay bill.
Heading the vaudeville contingent is Stan Stanley and company in a bit of farce, hokum and burlesque. The captain Boys present their six beautiful fashionettes in an elaborate dance act. Modern Vaudeville Frolics includes Donna Darling, Sammy Clark and Hal Dixon; Watts and Reingold in “Their Own Way,” and William Moore as “The Chef” contribute entertainment of high caliber.[iii]
I’m still searching for other Donna Darling showings during 1927. This may have been her last show in 1927 as her son, Russell, was born less than two months later. I do know she played in Mount Carmel, PA in April 1928.
|Cinema Treasures photo of
the Palace Theater shows the
glory the theater once had.[vi]
I’m still looking to find more about Donna’s time in the Spring of 1924. I know she was in Bridgeport, CT in early February but have nothing on her whereabouts until she appears in Billings, Montana, at the Babcock Theater on May 17th and 18th. There is a lot of time and there are many places between the two shows. More to research.
I know very little (yet) about Donna’s “Novel Song and Dance Romance.” We do know that the Babcock Theater advertised it as a headline act within its vaudeville offering for the day Featuring “Donna Darling” in their “Five Big Acts” for the day. [i]
The Billings Gazette of May 18th shows a photo of “Donna and the Boys” on Page 16. [ii]
Unfortunately, all the copies I could find of the paper, both Newspapers.Com and Newspaper Archive.Com, have really poor quality images of the paper. If anyone has access to the original papers and would do a photo image of the paper I’d really love it. In the meantime, I’ll put trying to find a copy of it on my “want to do list.”
I also know on June 2nd she is in Oakland, California. Although it is only two weeks later, I doubt she went that distance without a few shows along the way. So much more to research.
In 1896, A. L. Babcock opened the Billings Opera House. Mr. Babcock operated that theater until September 22, 1906 when the building burned. Mr. Babcock built a new theater, the Babcock, a few blocks away and opened it just over a year later, on December 23, 1907.[iii]
At the time it was built, at the time was considered the largest theater between Minneapolis and Seattle.
The Julius Cahn Gus Hill Theatrical Guide, 1922 Supplement, reports that the Babcock Theatre seated 1200 people and the stage was 36×32 feet.
On February 21, 1935, the Babcock Theatre was rented out for a prize fight. It was a real “smoker.” The fire chief ask there be no smoking in the theatre, however, the patrons didn’t listen and a fire broke out under the boxing ring. The theatre entrance lobby and 13 rows of seating under the balcony were all that survived. The roof collapsed during the night, the proscenium
arch failed, the stage was ruined and the amazing pipe organ demolished. The owner at the time considered rebuilding as entirely apartments or hotel, but decided to rebuild as a theatre. Within six months it was rebuilt. The reopening was a huge affair with the street being closed to handle the crowds, bands playing, and telegrams from Hollywood celebrities including Katherine Hepburn, W.C. Fields, Mae West, and Bette Davis [iv].
Today, after extensive renovations from 2008 through 2012, it houses 14 apartment units, retail shopping, and again operates a theatre for live performances.[v] The next live show scheduled at the Babcock is D. L. Hughley[vi], stand-up comedian, the original host of “Comic View”, and the eponymous character of The Hughleys.
Ninety years after Donna Darling and Company performed, comedy is still alive at the Babcock.
Find a better quality image of The Billings
Gazette, 18 May 1924, Page 16.
Note: This post was reformatted on 27 April 2018.
[i] The Billings Gazette (Billings, Montana) 17 May 1924, Sat • Page 3 – Advertisement: Babcock Theatre – “Donna Darling and Company “ Source: Newspapers.Com, et al.
[ii] The Billings Gazette (Billings, Montana) 18 May 1924, Sun • Page 16 – Feature Vaudeville_Act. Source: Newspapers.Com, et al.
[iii] United States Department of the Interior, National Park Service, National Register of Historic Places, Registration Form – Babcock Theatre Building – Page 13: http://www.nps.gov/nr/feature/places/pdfs/13000153.pdf
[iv] United States Department of the Interior, National Park Service, National Register of Historic Places, Registration Form – Babcock Theatre Building – Page 22: http://www.nps.gov/nr/feature/places/pdfs/13000153.pdf
[v] Wikipedia: Billings, Montana; the historic Babcock Theater http://en.wikipedia.org/wiki/Billings,_Montana
[vi] Babcock Theater website – http://www.babcocktheater.com/
Donna’s next stop with the company of Chin Chin was in Boise, Idaho on December 4th to the 7th. The Idaho Statesman ran many agent supplied articles and advertising for the show. Articles began in the “What Boise Theatre Managers Say About Coming Attractions” on November 23rd. It begins with a photo of the Famous Clown Band and continues with a short article.
“To Walter Wills and Roy Binder are are entrusted the principal parts, supported by a company of clever comedians and a beautiful chorus, In their songs. “The Chinese Honeymoon,” “Go Gar Sig Gong-Jue” and “Temple Bells,” the two clever comedians, Wills and Binder, make a decided hit and are always recalled again and again. In this charming fantasy with a Chinese atmosphere there are also a score of other songs that are the fascinating, whistling kind, and several unique dances that carry the snappy comedy along delightfully.
In the November 27th paper we learn that Ethel Lawrence plays, “Violet Bond,” the rich American girl.
mn ad. The ad reminds us of just how big the show was, particularly for a road show. At the Pinney Theater, Boise, this was “the biggest show in years.” The show had “two car loads of scenery.” We need to remember in 1919 they were referring to railroad cars. The company was huge, 65, including 40 girls. Repeat 40 girls and 35 men back of the scenes. I don’t know if they just couldn’t count or what, because 40 plus 35 is 75 in my world. We knew there was a circus in the show with a horse that Mademoiselle Fallofski tried to ride. We also learn of a ventriloquist show. A list of some of the songs in the production is also included.
We are reminded that ticket prices were low, from $.50 to $2.00, there was a whopping 10% war tax added to the ticket sales.
World War I economics were staggering. Federal Expenditures increased from 1.3 billion in 1916 to almost 16 billion, over 1000%, in two years. (1) To pay for the war the government enacted many new taxes. I think that calling it a “war tax” was really good. I wish taxes today were as clear. Certainly, we know how much our social security and medicare taxes are, but everything else is sort lost in the general economy. I wonder if we had a “war tax” today, would we have quite so many wars.
Because of the grainy nature of the image I could find, I just can’t tell exactly what they are doing. I have been unable to find a higher quality photo of it elsewhere. It would be interesting to find a better photograph of them in this role.
The text elsewhere on the same page let us know:
“Not for years has there been such a riot of artistically harmonized, faultlessly blended color upon any stage as Charles Dillingham’s production of ‘Chin Chin,” coming to the Pinney four days, December 4, 5, 6 and 7, Thursday, Friday, Saturday and Sunday.
“A flash of burnt orange trailing off into crimson, and we have a tea shop in Pekin. A splendor of apple-green, bronze-green, dull blues and bright blues, and a Chinese Bazaar filled with quaint toys and curious idol images, swings into view. A shimmer of moonlight on porcelain walls and among cherry branches at bloom-time and a place terrace rises slowly into sight. Presto! and we are on the outside of the dressing-tent of a great circus. All flapping canvases and posters of gaudy hue. Presto! and we smell the sawdust. A beam from Aladdin’s ‘lamp’ and all is romance again, the romances of trees and flowers and vistas of a park.
“Nor does the shifting scene contain all there is of color. There are costumes of every primary tint and every pastel shade, flaunting vermillions, lurid yellows, vitreous greens, great splashes of purple, subtle lengths and ripples of pink and azure and violet — an iridescence, a play of pigments that astonishes the eye.
“The vibrations of sound, too, are no less vivid. The tinkle of bells, the blare of horns, the fanfare of trumpets, the bravura of the orchestra, the melody of the singing voice. Sounds musical and sound unmusical, rhythmic sounds and sounds that confuse the ear, sounds sweet, dulcet, silver-toned symphonies, and sounds harsh, croaking, discordant — the who marching, waltzing, syncopating as such sound will, a musical babel of humor and delight — such is ‘Chin Chin.’”
The newspaper had a very interesting release on December 4th.
“In the chorus of “Chin Chin,” to be seen at the Pinney on Thursday, Friday, Saturday and Sunday, there are 30 girls. More than two-thirds of these girls have never been seen either here or in New York.
“By an arrangement that was made with a talking machine Company, out of town applicants for positions in the chorus who were unable to go to New York, where the engagements were made, had their voices recorded on disk records at the various agencies, and the same were sent to Manager Charles Dillingham for consideration. All of the applicants wrote that they were anxious to begin their stage career under his direction.
“The competition lasted for two months, and those selected were given contracts and were notified to be ready for rehearsal.
“By this means Charles Dillingham believes that he has secured a unique chorus, well chosen for voice and beauty, the engagements being unprejudiced by any personal reasons.
A very positive review published on December 5th regarding of “Chin Chin” says that,
Way to go Donna!
There is an interesting note in the Society pages on December 14th. Under “Burley” it mentions that:
“Mrs. C. A. Sunderlin has been much entertained during the last two weeks. Mr. and Mrs. S. Grover Rich have a dinner, followed by a box party for ‘Chin Chin,’ Tuesday [which would be 12/9/1919], in honor of the Sunderlins.”
From that note, it appears that “Chin Chin” may have played in Burley on the 9th. I was able to find the Burley newspapers from that period are available via interlibrary loan. I’ve ordered it and will see what it show. This is important because I am not finding the Chin Chin show anywhere until into February 1920.
In 1892, James A. Pinney build the Columbia Theatre. In 1908 the Pinney theater was built on the same site. It was an ornate theatre designed for stage. In the 1920s it began the shift to primarily movies. On February 20th, 1940 they hosted the world premiere of “Northwest Passage” which was filmed at McCall, Idaho, which is about 100 miles north of Boise.
The Pinney was demolished in 1969 and is a parking lot today.
Idaho Statesman (Boise, ID) November 30, 1919 – Page 2 – via Genealogy Bank