by Don Taylor
In the rich tapestry of early 20th-century entertainment, vaudeville performers like my grandmother Madonna “Donna” Montran carved out vibrant careers that often went unrecorded beyond local newspaper archives. Recently, I discovered a fascinating glimpse into her professional life through a Muskegon Chronicle clipping documenting a performance at the Jefferson Theatre.
Performance Details
- Venue: Jefferson Theatre, Muskegon, Michigan
- Dates: March 13-15, 1924
- Act: “Donna Darling & Boys” featuring Murry Earle & Tod Watson
Review
The newspaper’s description paints a vivid picture of the era’s entertainment: “A dazzling dance fantasy… the last work in syncopated terpsichore interspersed with melody songs.” The review highlights the performance’s artistic elements, noting the “beautiful setting and attractive costumes” that elevated the miniature production.
DONNA DARLING & BOYS with Murry Earle & Tod Watson.
A dazzling dance fantasy as presented by these clever artists is the last work in syncopated terpsichore interspersed with the melody songs. A beautiful setting and attractive costumes enhance the beauty of this miniature production.
This archival discovery adds another rich detail to understanding the dynamic world of 1920s vaudeville performance, showcasing the creativity and artistry of traveling entertainment troupes during a transformative period in American show business.
Research credit: Newspapers.com
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