Donna Montran and “Chin Chin” played at the Rajah Theatre in Reading, PA, on 24 April 1920
Donna Montran
Chin Chin
By Don Taylor
We know that April, 1920, was a grueling month for the “Chin Chin” cast. On April 22nd they played Frederick, MD. On the 23rd they traveled the 65 miles north to Carlisle, played there one night then on the 80 miles to Reading for another two shows – a matinee and an evening show.
Preshow Advertising
The Reading Eagle – April 18, 1920, Page 16
The first advertising I found was in the Reading Eagle, starting on April 18th. There was a standard ad on page 16, along with a lengthy article about the show.[i]
RAJAH THEATRE
“CHIN CHIN”
Coming to the Rajah Theatre matinee and night, Saturday, April 24, Charles Dillinghan’s “Chin Chin,” the musical comedy which is one of those tales of love and wishing common to the Arabian Nights.
The Reading Eagle – April 18, 1920, Page 16
All impossibilities are crowded into it, jumbled together like the figures in a dream in the end it resolves itself into a vehicle for the display of the clever grotesqueries of the two clever “turn” artists, Walter Wills and Roy Binder. Mr Wills, whose body seems made of rubber, and whose facial expressions change as quickly as the wheel of fortune gives Chin Hop It Paderewsky, Mlle Falloffski, a gendarme and a ventriloquist, transformations accompanied by such curious tricks and poses such tumbling, dancing, imitating such a running fire of jokes and fun-making that the audience fairly screams with laughter. Mr. Binder gives in rapid succession Chin Hop Lo, the widow, a coolie, and the ringmaster, lightning changes of mood, manner and get-up that provide the audience to mirth. George Usher makes an aggregable and picturesque Aladdin.
The danseuse is Irene McKay, and astonishing acrobatic and step performer whose twinkling feet are full of speed and syncopation. Her number with Mr. Willis entitled “Dance Poetic,” is a remarkable performance ending with a surprise to the audience.
The favorite songs are “The Chinese Honeymoon,” “Good-bye Girls,” “I’m Through” “Volet,” “The Gray Dove,” and “Love Moon.” The most recalled dance and song numbers are the “Teddy Bear Dance,” (without words), “Go Gar Sing Gong-Jue,” “Temple Bells,” The Rag of Rags,” and “Bally Moony.”
The clever saxophone sextette by Tom Brown’s Clown Band is one of the most amusing and delightful bits of the play. The company is one of the largest organizations presenting a musical comedy on the road today. There girls and girls.
There were adds and articles daily in the Reading Eagle or the Reading Times from the 18th through the 23rd. I did not see any that called out Donna directly, but a couple mentioned “Love Moon” being sung, which was a song sung by the Goddess of the Lamp (Donna’s role).
Next Stop
It is likely that the “Chin Chin” cast had off on Sunday, April 26th. However, the show must go on and it played at the Hippodrome in Pottsville, Pennsylvania.
Rajah Theatre
The Rajah Theatre between 1917 and 1921
Photo courtesy “Go Reading Berks”
The Rajah Theatre was initially built in the 1800s as a market with a Masonic Temple on its upper floors. It was built on a potter’s field of a cemetery. Although the cemetery interred were supposed to be reinterred at another location, in the early 1800s there were still 30 uncovered during the building during 1873.[ii] It was converted to a theatre in 1886 and became the Academy of Music.
The 1913 Theatrical Guide indicates that the Academy of Music had a seating capacity of 1,341 – 795 on the Main Floor, 341 in the Balcony, and 206 in the Gallery. Besides the Academy, there were four other theaters in Reading at the time, the Orpheum, Hippodrome, Lyric, and Palace Theatres.
In 1917, The Academy of Music was purchased by the Rajah Shriners, renamed the Rajah Theatre, and became the vaudeville house that “Chin Chin” played at.
Rahah Theatre after the 1921 fire. Photo Courtesy of George M. Meiser IS via Reading Eagle [iii]
In May 1921[iv] the Rajah burned and underwent substantial rebuilding. The theatre reopened on September 10, 1922.
The theater had two more fires, both in 1935, but recovered quickly from them.[v]
In 2000, the building received a $7 million facelift and became the Sovereign Performing Arts Center (named for Sovereign Bank). Today, it is the Santander Performing Arts Center (for the Santander Bank) and is home for the Reading Symphony Orchestra, the Reading Civic Opera Society, and hosts a variety of events.[vi]
Specifications for the Academy of Music (Rajah Theatre)[vii]
- Proscenium opening: 35.5×32 ft
- Front to back wall: 32 ft
- Between side walls: 76 ft
- Apron 2 ft
- Between fly girders: 45 ft
- To rigging loft: 55 ft
- To fly gallery: 30 ft
- 10 Dressing rooms
Today
Today, the Rajah Theatre is the Santander Performing Arts Center.
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For this week’s Treasure Chest Tuesday, I’m looking at a page from the Donna Darling Collection. There were three images on this page. One an ad and two short articles all relating to playing at the Majestic Theatre, Dubuque, Iowa.
Donna Darling and Sammy Clark, well known and popular wherever vaudeville is liked, head the bill opening at the Majestic today and continuing through the rest of the week. They are assisted by Barring and Lazur and Hal Dixon, and they will present a comedy, song and dance revu. Miss Darling formerly headed her own revu and for years was a singer in music comedy. She will provide the songs, some of the dancing and Clark will furnish the fun. He is widely known as a comedian and his work is said to rank with the best of them. Their assistants are singers and dancers. The act is well staged and comes highly recommended.
