Category Archives: Vaudeville

The vaudeville career of Madonna Montran, aka Donna Montran, aka Donna Darling.

 

“The Scintillating Beauty”: Donna Darling’s Week at Jackson’s Capitol Theatre, 1926

In March 1926, Donna Darling and her “Little Jewel Revue” appeared for a full week at the Capitol Theatre in Jackson, Michigan. Featuring split bills of motion pictures and vaudeville, the engagement included glowing press notices and a locally promoted Bathing Girl Contest arrainged and conducted by Donna. Continue reading

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Donna Darling in Rochester, NY: “Chin Chin” at the Lyceum, March 4th-6th, 1920

In March 1920, Donna Darling appeared at Rochester’s Lyceum Theatre in the touring musical comedy Chin Chin. Cast as the Goddess of the Light, Donna performed in a major Charles Dillingham production during its return engagement. Contemporary newspaper coverage highlights the scale, spectacle, and national reach of the show, providing valuable context for Donna’s early professional stage career. Continue reading

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Donna Darling at the Bucklen Theatre (Elkhart, Indiana) – 1923

In March 1923, Donna Darling headlined the Bucklen Theatre in Elkhart, Indiana, in her singing and dancing revue “As You Like It.” Advertised as a New York Hippodrome beauty contest winner, she led a full vaudeville bill combined with a feature motion picture. Continue reading

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Donna Darling at the Strand Theatre, Pontiac, Michigan (June 22–24, 1925)

Newspaper advertisements confirm Donna Darling’s June 22–24, 1925 appearance at the Strand Theatre in Pontiac, Michigan. Promoted with her Bathing Girl Revue and “Comedy Life Guards,” this engagement strengthens the reconstruction of her 1925 Midwestern vaudeville tour between Ohio and Detroit. Continue reading

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Donna Darling at the Heilig Theatre (Eugene, Oregon) – 1926

In November 1926, the Donna Darling Revue appeared at the Heilig Theatre in Eugene, Oregon, as part of the Western Vaudeville Managers’ Association circuit. Contemporary coverage in The Eugene Guard identified Donna as the “heading act” and described a visually ambitious production featuring song, dance, and a striking “radium coat” finale, offering rare insight into her touring career. Continue reading

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