Joel Barnes & the 1850 Census

Census Sunday
Roberts-Barnes
By Don Taylor

I know very little about my 3rd great-grandfather, Joel Barnes. He may have been born 1bout 1790 in Broome County, New York. He married Lucy Wilson Taft and they had at least one child, Nelson, born in 1816. I have no idea about any other children nor any death information.

In 1850, I would expect Joel to be about 60 years old.

Search Results

Using Family Searcy, my search for Joel Barnes in the 1850 Census yielded 13 results.

    • Joel Barnes, Born 1846 in Georgia – Too young.
    • Joel Barnes, born 1845 in Indiana – Too young.
    • Joel Barnes, Born 1839 in Kentucky – Too young.
    • Joel Barnes, born 1836 – Too young.
    • Joel Barnes, Born 1830 in South Carolina – Too Young
    • Joel Barnes, Born 1829 in South Carolina – Too Young
    • Joel Barnes, born 1827 in North Carolina – Too young.
    • Joel Barnes, born 1816 in North Carolina – Too young.
    • Joel Barnes, Born 1824 in Kentucky- Too young.
    • Joel Barnes, Born 1810 in Pennsylvania – Too young.
    • Joel Barnes, born 1795 in Vermont – Possible
    • Joel Barnes, Born 1790 in Tennessee. Possible.
    • Joel Barnes, Born 1782 in Massachusetts. Possible.

That left 3 possible Barnes’ listed by birthyear.

    • 1795 – Living in Corinth, Orange County, Vermont. Has an apparent wife, Ruth, and an implied mother living with him.  No Lucy; unlikely my Joel Barnes.
    • 1790 – Living in South Nashville, Davidson, Tennessee. He has an apparent daughter in law and two grandchildren living with him.  No Lucy; unlikely my Joel Barnes.
    • 1782 – Living in Thompson, Windham, Connecticut. He has an apparent wife, Mary Barnes and an apparent daughter, Eliza; unlikely my Joel Barnes.

None of these entries are consistent with expectations, so I believe that either Joel died before 1850 or was enumerated differently.

Future Action

Look at potential Joel Barnes’ in the 1840 Census.

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Five photos – Two Named – None Identified

Photo Friday
By Don Taylor

One last “first look” at my various unrelated photos. Today, I am looking at five photographs of four women. Two are sadly unidentified. Another one is also unidentified, but it is possible we may be able to determine who she is. Lastly, there are two photos of Nellie Peckham.

Nellie Peckham (twice), A 1895 Thornton Academy Student, and two unknown women.

Unidentified Woman – J.H. Lamson, 5 Temple Street, Portland Maine.

There is no identification with the photo. The photo was taken at the Lamson Studio in Portland. It is likely this woman lived in Cumberland County. I think it is unlikely I will be able to identify this person unless someone else sees a photo of the same person.  Image here.

Unidentified Woman (older) – Norris, Portland Maine.

There is no identification with the photo. The photo was taken at the Norris Studio in Portland. It is likely this woman lived in Cumberland County. I think it is unlikely I will be able to identify this person unless someone else seed a photo of the same person. Image here.

Unidentified Woman – Thornton Academy (Class of ’97) – Philbrick, Biddeford, ME.

Unidentified Woman - Philbrick, Biddeford, ME - Thornton Academy - 1897This woman is unnamed. However, the back says “Thornton Academy – Class of ’97.” As such, it may be possible to identify this woman based on further investigation.

Nellie Peckham (standing by flowers)

Nellie Peckham (by Flowers)A Family Search search for Nellie Peckham yielded only one “Nellie Peckham” result. A Charles Larabee, age 36, married in 1904. His parents were Samuel Larrbee and Nellie E. Peckham.[i] Additionally, a Nellie F Thomas died at age 45 in 1913. Her parents were Samuel ? and Nellie E Peckham.[ii] So, both Charles and Nellie F. were born about 1868. As such, that would suggest that Nellie E. was married about 1867 and these photos come from about 1867.

The photos don’t seem that old to me. As such, I don’t believe these photos are of the mother of Charles & Nellie F. Further searching for Nellie on Family Search and Ancestry was unproductive.

Nellie Peckham (standing by house and carriage-way)

See the writeup above. – Image Here.

Final Note

If you are related to any of these individuals or can help confirm the identity of them, I’d love to hear from you.


Sources

[i] “Maine Vital Records, 1670-1921,” database with images, FamilySearch (https://familysearch.org/ark:/61903/1:1:VZQP-SYJ : 4 April 2020), Larrabee and Hale, 1904; citing , Cumberland, Maine, United States, multiple sources, Maine; FHL microfilm.

[ii] “Massachusetts Deaths, 1841-1915,” database with images, FamilySearch (https://familysearch.org/ark:/61903/1:1:N4WJ-F5D : 6 April 2020), Nellie F Thomas, 01 Nov 1913; citing Lynn,,Massachusetts, 42, State Archives, Boston; FHL microfilm 2,401,815.

 

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“Chin Chin” – Colonial Theatre – Pittsfield, MA – 15 May 1920.

Donna Montran and “Chin Chin” play at the Colonial Theatre in Pittsfield, MA, on 15 May 1920.

Vaudeville
Chin Chin
Donna Montran

“Chin Chin” played at the Bennington, Vermont, Opera House on May 13th and the Empire Theater in North Adams on the 14th. Then the show moved the 20 miles south to play at the Colonial Theatre in Pittsfield, MA on Saturday, the 15th.

Advertising for the show began on the 8th of May with an ad showing “Chin Chin” would be coming for “One Night Only” on May 15th. On the 10th, a quick little note said, “’Chin Chin’ at Colonial – Manager Raymond has booked Charles Dillingham’s ‘Chin Chin,’ with Walter Wills and Ray Binder for the Colonial Saturday night.”

The Berkshire Eagle reported Monday, after the show:

The Berkshire Eagle – May 17, 1920

“Chin Chin” with Walter Wills and Roy Binder in the leading roles played to a good-sized audience at the Colonial theatre Saturday evening. It was the second one night stand in two days despite this that there was a large attendance. Like other Dillingham shows it was a wonderful production.

The play is a modern version of the famous old Arabian Nights tale of “Aladdin, or the Wonderful Lamp.” Messrs. Wills and Binder become a couple of Chinamen who have more or less adventures in the pursuit of the lamp which brought its possessor all kinds of happiness. The musical numbers were very sweet and catchy.

Among the many features in this gigantic show are the Teddy Bear dance, Tom Brown’s Saxophone band, a real circus tent with an honest-to-goodness big white circus horse circling around the ring, while Mlle. Falloffski performs the most daring and screamingly funny bareback stunts. Tom Brown’s band was one of the big hits of the evening.

Theater

Colonial Theatre, Pittsfield, MA – (Photo courtesy of Granola via Cinema Treasures)

The Colonial Theatre was built in 1903 but burned in 1912. It underwent extensive renovation and reopened with state-of-the-art theatrical technology, in 1912.

The 1921 Julius Cahn-Gus Hill Theatrical Guide and Moving Picture Directory indicated that the Pittsfield Colonial Theatre was operated by the Goldstein Bros. Amusement Co. and managed by L. H. Raymond. The theater played legitimate theater, stock, and picture attractions.[i] It had a seating capacity of 487 on the main floor, 309 in the balcony, 350 in the gallery, and 72 in the Box seats for a total capacity of 1218.

Specifications for the Colonial Theatre

Proscenium opening: 32 ft
Front to back wall: 45 ft
Between side walls: 58 ft
Apron 5 ft
Between fly girders: 46 ft
To rigging loft: 64 ft
Between fly galleries: 40 ft
The theatre had 8 Dressing rooms

Photo courtesy: Massachusetts Office Of Travel & Tourism via Flickr https://www.flickr.com/photos/masstravel/ (CC BY-ND 2.0) https://creativecommons.org/licenses/by-nd/2.0/

Photo courtesy: Massachusetts Office Of Travel & Tourism via Flickr (CC BY-ND 2.0).

The theatre operated until 1934 when it closed due to the Depression. It reopened in 1937 as a movie theater with occasional community performances. It closed in 1952 and became a paint and art supply business. In 1998, the theatre was designated a National Historic Treasure. In 2001, the Colonial Theatre Association began a restoration of the building. In 2006, the theatre reopened to the public with its vaulted gilded enterence, elaborately decorated boxes and balcony, and exquisite ornamental detail.[ii]

Today

The Colonial Theatre of Pittsfield, MA, is a beautifully renovated facility.

Disclaimer

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Endnotes

[i] (1921). The Julius Cahn-Gus Hill theatrical guide and moving picture directory. New York, N.Y.: Julius Cahn-Gus Hill via Hathi Trust – https://babel.hathitrust.org/cgi/pt?id=coo.31924063709764&view=1up&seq=7 – Accessed 21 July 2020.

[ii] Internet: Berkshire Theatre Group website, “History of the Colonial Theatre” https://www.berkshiretheatregroup.org/berkshire-theatre-group/history-of-the-colonial-theatre/ – Accessed 21 July 2020.

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Nelson Barnes & the 1840 Census

Census Sunday
Roberts-Barnes
By Don Taylor

Previously, I had looked at the lives of Nelson Barnes and his wife, Mercy Eliza Taft. (See Endnotes Below.)  I was unsuccessful in finding them in the 1840 Census. I thought I’d try again as part of my examination of the life of Joel Barnes.

Expectation:

In 1840, Nelson would have been 24 years old. He had married Mercy Eliza Taft in 1839 in New York. Mercy was born in 1822, so she should have been 18 at the time. They were in Sullivan County in 1845, but their whereabouts in 1840 is unknown. In 1840 I would expect them enumerated as:

Male 20-30
Female 15-20
Possibly a child under 5, but probably not.

There were five different Nelson Barnes enumerated in the 1840 Census.

1840 Censuses Entries for Nelson Barnes

  1. Indiana, Switzerland County, York Township, Page 352, 10th Name

– – – – – 1 |2 – – – 1
Male 20-30     – Not consistent.
Female 20-30  – Not consistent.

  1. Indiana, Allen County, Wayne Township, Page 46, 3rd from bottom.

– 2 – 2 1 – 1 | 1 1 – – – – 1
Male 40-50 – Not consistent.
Female 40-50 – Not consistent.

  1. Rhode Island, Providence, Burrillville, Page 1, 9th from bottom.

2 – – – 1 1 | – – – – – 1
Male 30-40 – Not consistent.
Female 30-40 – Not consistent

  1. New York, Steuben County, Lindley, Page 2, 21st from top.

– – – 1 2 1 | – – – 1
Male 30-40 – Not Consistent
Female 15-20 – Consistent

  1. New York, Delaware County, Franklin, Page 2, 11th from bottom.

– – 1 – 1 | – – – – – – – 1
Male 20-30 – Consistent
Female 60-70 – Not Consistent

Conclusion

None of these entries are wholly consistent with expectations, so I believe that either Nelson and Mercy were missed in the 1840 Census or they were enumerated in another household. Next, I’ll look closely at the various Joel Barnes in the 1850 Census.


Endnotes:

20. Nelson Barnes (1816-1884)
– – – * Nelson Barnes – Civil War Veteran?
– – – * Memories of Martha Barnes Conner – Nelson Barnes and Mercy Eliza Taft
21. Mercy Eliza Taft (1822-1884)
– – – * Surname Saturday – Taft

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Donna Darling Collection – Part 68

Four Orpheum Theaters

Treasure Chest Thursday,
By Don Taylor

For this week’s Treasure Chest Tuesday, I’m looking at ten clippings from seven different pages. Nine of them relate to the Orpheum Theaters in various locations. But first, there was a “Donna Darling Review” trade advertisement. It clearly was a clipping from a magazine. It didn’t provide anything about a theater. It gives the title of their show and who the director was.

DONNA DARLING Revue.
With SAMMY CLARK
A Novel Revue in Five Scenes

Entitled

FROM HEAVEN – TO HADES
Singing—Komedy—Dancing

Direction: Lew Holleb
Lew Goldberg Office, Chicago

I think I can use this ad as a graphic for the entire show period.

Racine

Next, there were two clippings of “California Motion Picture Bathing Beauties” featuring Donna Darling. The theater is the “Orpheum-Racine’s Play House Deluxe” and the date is Thanksgiving Day. Thanksgiving was the November 27th in 1924. I had already determined that Donna played at the Racine Orpheum theatre on Nov 27, 28, & 29, so I am able to add the date to these two clippings.

Des Moines

There are three clippings that show another Orpheum theater. They are identified as under “Direction of Alexander Frank.” Alexander Frank provided direction to several theaters in Iowa during the 1920s. One of those theaters was in Des Moines. I had already established that Donna played the Des Moines Orpheum on January 2nd to the 5th, 1927; so, I’m sure this show is the show the clippings are related to.

Tulsa & Oklahoma City

The last three items include an Orpheum Theater Program. There is no date nor location with it. However, another clipping shows the Orpheum theater with the same acts also on the bill and had hand-written on it “Tulsa Okla.” Also, is a short ad showing the Donna Darling Revue “this W’k, Orpheum, Tulsa & Oklahoma City, Okla.”

Donna played the Orpheum Theater in Oklahoma City on December 9, 1923 and the Orpheum in Tulsa on December 13-14, 1923. At first I thought this venue must have been one of these two. Further research on line found acts different from the ones in the clippings played on those dates. Finally, a search for “Sie Tehar Troup” found they played in Oklahoma City with the “Darling Revue” starting Thursday, 12 August 1926. It is possible the same group played in Tulsa sometime in August 1926, however, I have not been able to find any papers for that time period and location, yet.

Conclusion

November 27-29, 1924 – Racine, Wisconsin – Orpheum – Bathing Beauties with Donna Darling. Newspapers.com – DDC-68

January 2-5, 1927 – Des Moines, IA – Orpheum – Donna Darling Revue – Newspapers.com – Archives.Com – DCC-68 

Two New Venues Discovered:

August 12, 1926 – Oklahoma City, OK – Orpheum Theater. Newspapers.com

August ??, 1926 – Tulsa, OK – Orpheum – Darling Revue – DDC-68

Posted in Donna Darling and Sammy Clark Revue, Treasure Chest, California Bathing Girls (1925), Donna Darling Revue | Tagged , , , , , , , | 1 Comment