This week for Montran Monday[i], I found an article from the Philadelphia Inquirer dated 22 July 1917.
ANNUAL CONCERT AT OCEAN CITY
Musical Feast to Be Given at Yacht Club July 27 With Noted Quartette
Plan for Dance Thursday Next for Benefit of Hahnemann Base Hospital Fund
OCEAN CITY, N. J., July 21—The…
[Eight paragraphs then]
“Mrs. M. W. Montran and daughter, Miss Ruth, of West Philadelphia, were guests this week of W. Ward Beam, and wife at their apartments here.”
Philadelphia Inquirer, Philadelphia, PA, July 22, 1917, Page six. Found via Genealogy Bank.
This is clearly Maude Winter Montran (1875-1931) and her daughter Ruth Grace Montran.
Maude lived in Philadelphia in 1910 and in San Francisco in 1920. As such it makes sense that Maude and Ruth would visit friends or family before the move. Alternately, Maude’s other daughter, Thelma, was married in 1916 or 1917. Ocean City was a great place for marriages and Maude and Ruth could have been in New Jersey for Thelma’s wedding and then stayed with the Beams.
Research Thelma’s wedding date & location.
Research Mr. & Mrs. W. Ward Beam. Are they related?
[i] Montran Monday – My grandmother’s father was John Montran. She used the surname, as a young child and again when she began in show business. The name is uncommon and most of the Montrans I see in the newspapers are my grandmother during her early vaudeville career. However, with the constant flow of newly digitized material, I often learn of new articles which contain the Montran name. I pay attention to the finding and try to determine a possible relationship of any Montrans to Donna’s father, John Montran.
Donna Montran and “Chin Chin” play at the Lyceum Theatre in Paterson, New Jersey on 7 & 8 May 1920.
“Chin Chin” played in Wilkes-Barre, PA on May 4th. I haven’t determined where the show was on May 5th or 6th. However, by the 7th, it had progressed the 110 miles east to Patterson.
Advertising for the show began with a May 1st article:[i]
“Chin Chin” to Come to Lyceum
Manager Guggenheim of the Lyceum Theatre, Patterson, has secured Charles Dillingham’s only company presenting that wonderful spectacle of “Chin Chin”, scheduled for Friday and Saturday, May 7 and 8, with a matinee Saturday. This riot of fun, feast of music and bevy of feminine beauty appeared at the Globe theatre in New York for two solid years and is heralded as the greatest musical comedy success emanating from the gay white way. In the leading comedy roles are Walter Wills and Roy Binder.
In this musically rich show spontaneous approval is always accorded such melodious turns as “Good-Bye Girls, I’m Through”, “Love Moon”, The Grey Moon”, “Go Gar Sig Gong-Jue”. The comedy song, and “The Ragging of the Rag of Rags”.-adv.
Advertising continued daily through the last ad in both the Patterson and the Passaic newspapers. The show played on May 7th and the May 8th issue of The Morning Call (Patterson, NY) had a call-out which mentioned Donna. It said, in part,
Interwoven into this sparkling comedy of melody is a fairy-tale romance, bringing into play Aladdin and his lamp. Donna Montran, impersonating Violet, meets Aladdin (Star Dunham) at a toy bazar. You all know the story of the mysterious lamp. Suffice it to say that whoever secures the lamp may have any wish granted as it is wished. Aladdin wished for Violet. He got her. Not until the lamp had brought many complications, however.
Post Show Info
I’m not sure where the show went from there, but five days later it had worked its way 175 miles north to Bennington, Vermont.
Lyceum Theatre – Patterson, NJ
The theater was located at 125 Van Houten St., next door to the local fire station, and had a seating capacity of 1,950.
Front to back wall: 45 ft
Between side walls: 80 ft
Between fly girders: 10 ft
To rigging loft: 52 ft
Newspapers —”Chronicle,” “Call,” “News,” “Press,” “Passaic News,” “Herald.” I haven’t found the “Chronicle” or the “Press” issues.
What Happened to the Theater
On March 22, 1931, the Paterson Lyceum theater burned to the ground.[iii]
Today, the location the Paterson Lyceum theater occupied is a parking ramp.
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[i]Passaic Daily Herald (Passaic, New Jersey) · Sat, May 1, 1920, · Page 4, Column 1.jpg
This week, I learned of two new venues, specific dates for a previously known show, and one venue confirmed by another newspaper. I made these new discoveries using Genealogy Bank. A Search for Donna Montran found four new articles. One article confirmed a venue I wrote about before—Pacy’s Garden Theatre on September 14-17, 1920. The Baltimore American dated Sep 14, 1920, on page 5 said:
Bathing Girls at Garden.
Nine bathing girls, grouped as “The California Bathing Girls” and headed by Donna Montran are presenting “A Beach Promenade,” a musical comedy, at the Garden Theatre this week. The offering differs from the usual bathing-girl act in that it is not a series of tableaux, but is an ambitious musical comedy offering with six beach scenes and a number of tuneful melodies.
The Bijou – New Haven, Connecticut – 19-22 December 1920.
The Connecticut Labor Press (New Haven, CT) for Dec 18, 1920, said that:
George Walsh in “The Plunger,” and “The Dragon’s Net” will remain for the first half of the week in conjunction with a remarkable bill of all-star vaudeville headed by Donna Montran and her Bathing Beauties.
From the Donna Darling Collection, (DDC-8) I had known that Donna played at the Bijou in New Haven sometime in November or December of 1920. An ad on this page showed it was Sunday, Monday, Tuesday and Wednesday (19-22 December).
State Theatre – Trenton, New Jersey – 3-5 March 1921
The latter part of Donna’s 1920-1921 Bathing Beauty Show has always been a mystery. I knew she played the Keeney Theatre in Brooklyn at the end of January and that she closed the show in May or June for the summer, but I knew nothing of February, March, April, or May. Thanks to the Trenton Evening Times, dated March 3, 1921, on page 16 I learned that she played the State Theatre, in Trenton, New Jersey in “Tom Rooney’s and Earl Lindsay’s California Bathing Girls.”
Garden Theatre – Baltimore, Maryland – 20 March 1921
The Baltimore Sun ran an advertisement for “The California Bathing Girls with Donna Montran in “A Beach Promenade” on March 20, 1921. This was a return to the Garden Theatre for Donna with the same show six months after her earlier show. Still not sure how many days she was there, but further research should provide the answer.
As an “official blogger” at the New England Regional Genealogical Conference (NERGC 2019), I had the opportunity to interview one of the conference speakers. I plan to attend two of Melissa Johnson’s lectures, and thought it would be nice to know more about her and some of her thoughts about genealogy.
Melissa is a professional genealogist specializing in New Jersey, New York, and Pennsylvania research, using DNA test results, genealogical writing, forensic genealogy, and lineage society applications. Her presentations at NERGC 2019 include:
F-104: Demystifying Genealogical Terminology (Beginner)
F-117: Go Paperless! Organizing Your Genealogical Research (All Levels)
S-121 Writing Your Family History (Workshop, Intermediate)
Don: Your website indicates that you specialize in lineage society applications. What do you think are the most significant benefits of becoming a member of a lineage society?
Melissa: I am not a member of any lineage societies, so I can only speak to the reasons why my clients want to join them. Most of my clients want to become involved in society. Whether it’s the DAR, SAR, Descendants of the Founders of New Jersey, or another group, there are volunteer positions and different types of events that people can become involved in. Some of my other clients want to document their ancestral lines and the people who qualify them for membership in the society, So, in terms of the benefits, it really depends on the person. If I were ever to join a lineage society, I would do it mostly to have my lineage on record for future generations.
Don: Your bio mentions that you specialize in “forensic genealogy.” What exactly is forensic genealogy?
Melissa: Forensic Genealogy is genealogy as it pertains to the law. For example, if someone dies without a will, researching to identify their next of kin, would fall under forensic genealogy. So would any type of genealogical research that is part of a civil or criminal case. Also, research to move forward with a process that changes your legal status, such as dual citizenship, is categorized as forensic genealogy. Obtaining dual citizenship makes you a citizen of another country because it changes your legal status. Another example is a person who is applying to become a member of a federally-recognized Native American tribe. That process changes a person’s race (and thus, their legal status). All those types of research fall under forensic genealogy. The use of DNA in genealogy can also fall under forensic genealogy—for example, if an individual seeks to identify their biological parents after an adoption (a legal process) took place.
Don: Interesting. It makes me wonder if all genealogists shouldn’t endeavor to treat their research as a forensic genealogist, in that they should approach their research as if they have no personal interest in the results or the findings.
Melissa: That can be a good approach. It is always good to go into a research project without any bias, but it’s often hard to do that when it’s our own family and when we think we know something about an ancestor we’ve heard it so many times before. It’s also good to treat all of your research as seriously as a forensic genealogist would. Our reports, affidavits, and exhibits are often brought before a court, so you always want them to be your absolute best work. All researchers should make sure that they are meeting the Genealogical Proof Standard.
Don: DNA testing for genealogical purposes is now very popular in the genealogy field. There is much discussion about DNA testing; my question is, when should a person not test?
Don: I am the illegitimate son of an illegitimate daughter of an illegitimate daughter. As such, I firmly believe that the truth is always better than lies or confusion. I know many people say they don’t want to know the truth if it disagrees with their current world view. Today, many genealogical ethicists seem to promote only sharing findings if they don’t “hurt” anyone. What are your thoughts about that issue?
Melissa: Many people are being provided with new information, especially as a result of DNA testing. Some of the surprises I mentioned, such as finding out that one or both parents is not biologically related, could surprise many parties—the child, the parent, the parent’s spouse, the parent’s other children—for example. Each scenario is different and there are many viewpoints and feelings to consider, and if there isn’t a cut-and-dry sort of answer in terms of making these findings public information. It depends on the situation. It’s always good for a researcher to take a step back, look at all the parties involved, and think about how the news might impact everyone. There are lots of ways to share new findings—publicly and privately within a family, published formally or informally, or published with pieces of information redacted. The impacts on all living people should be considered.
Don: What do you think is the best, or most desirable, way to preserve genealogical work for future generations?
Melissa: Writing up your research is definitely the best way. This can be done in many different ways. Some people have blogs with tons of information about their family. Blogs are great because they’re searchable, and someone who is searching for their great-great-grandfather can find that distant cousin’s blog and connect with them. You can also write up your research more formally—some genealogists have written several volumes of books on specific families. There are also other options—researchers can write a short article about an ancestor or an interesting problem for a genealogy magazine. Writing also doesn’t have to be formally published—it can be placed in a file in your local historical society. Writing is the way to go, no matter the format you choose. recommend that everyone writes up some part of their research for future generations. On Saturday at NERGC, I’ll be teaching a workshop that talks about options for how to write up your research.
Don: Excellent. I’m looking forward to it. Your workshop is on my list of things to attend at the conference. I appreciate your participating in this interview. Thank you so much.
This week Newspapers.Com released two more newspapers that were of interest to my Donna Montran Vaudeville Career work. First, the Passaic Daily Herald had several articles and ads for “Chin Chin” playing at the Lyceum Theatre in Paterson, New Jersey on May 7th and 8th, 1920. Besides the Herald, the News (Paterson, NY) also had advertising and articles regarding that show. This was all new information to me about the venues that “Chin Chin” played at during Donna’s being with the cast.
Additionally, the News (Paterson, NY) had a small ad showing that Donna Montran and Her Bathing Beauties played at the Majestic Theater. The date isn’t 100% clear, but it appears that it was January 13, 14, & 15, 1921, that her Beach Promenade played.
May 7 & 8, 1920 – Paterson, NY – Lyceum Theater – “Chin Chin”
Jan 13-15, 1921 – Paterson, New Jersey – Majestic Theatre — Donna Montran and her Bathing Beauties.
“Donna in the News” is my reporting of newly found newspapers articles and advertising regarding my grandmother, Madonna Montran (aka Donna Montran and aka Donna Darling). I am always excited when I find a new venue for my grandmother’s exciting show business career of the 1910s and 1920s.