For this week’s Treasure Chest Tuesday, I’m looking at page “DSCN1452” from the Donna Darling Collection, which consists of two newspaper clippings and one photograph.
The first clipping is an ad for
VAUDEVILLE A Dazzling Dance Fantasy. “THE DONNA DARLING REVUE” in 5—Scenes—5 With Donna Darling, Sammy Clark and three stars. In a super song and dance revue with a dash of comedy.
Luckily, Donna wrote on the upper left corner, “La Cross | Dec 4-5.” From Newspaper Archive, I had previously learned that Donna had played at the Majestic Theater in LaCrosse, Wisconsin, on December 4 & 5, 1926.
The second clipping is a bit more problematic. It has a nice photo of Donna and says:
Donna began doing the “Donna Darling Review” with Sammy in April 1926, so the show must have taken place after then. The problem is that the two of them played:
The Grand Theater in Great Falls, Montana on Nov 26-27, 1926.
The Grand Theater in Macon, Georgia, on March 14-18, 1927.
The Grand Theater in Montgomery, Alabama, on April 1-3, 1927.
Plus, I have many open dates that she could have played at a “Grand Theater.”
For the clipping in question, other acts on the bill include:
Zehn and Dreis in “Dementus Americanos Habitat North America.”
Billy Curtis and Lou Lawrence in “Is That the Custom.”
Morell and Elynor (roller skating)
The Reginald Denny picture “Rolling Home.”
Luckily this bill was short-lived, only about two months. At every showing there was a different picture show. On November 26 & 27, the bill of these vaudeville acts played at the Grand Theater in Great Falls Montana along with the picture “Rolling Home.” I am confident that this clipping comes from this date and place.
Finally, there is a new photograph of Donna with Russell. Russell appears, to me, to be about two years old. Russell was born in 1927, so I’m fairly sure that the photo come from 1929 or so. This is a case where I wish I knew how to fix photos with Photoshop. I’d love to pluck out the white and have a nicer photo.
For this week’s Treasure Chest Tuesday, I’m looking at image DSCN1422 from the Donna Darling Collection. The image consists of four items. Two are articles and two photographs.
1. Keeney’s Livingston, Brooklyn, N. Y.
(Reviewed Thursday Evening, April 8)
… Donna Darling Company., four shapely, pretty misses, in songs and dances in full stage with special drapes, brings the show to a bang-up close. The act opens with three girls dancing, followed by Miss Darling in a song, then a gypsy dance by one of the girls, followed by a toe dance by another of them, and then two of them in a wooden shoe Dutch characterization dance, Miss Darling returning for a Hawaiian dance. A trio then puts over a song after which much applause and a brief announcement preceding a change of costume, Miss Darling presents what she calls Lightening Up the Charleston, done by all four members of the act Garbed in Luminous Costumes that glow when the lights are out. It’s a tricky bit.
JACK F. MURRAY.
April 8th was a Thursday in 1926, so the date is definite. The location and the theater are also given. Hopefully, future research will provide answers for the duration.
I added a new venue added to Donna’s Career: April 8 – Keeney’s Livingston Theater, Brooklyn, NY – Donna Darling Revue.
2. Darling Revue Has Top Place on State Bill
Perhaps it is because this happens to be the season of Lent. Anyway, the vaudeville programs at the State Theater these days are very good and increasing size of audiences at the matinee and evening performances is proof of this assertation.
The Bill this week is no exception. Lead the fine array of talent is the act in which the Darling Revue strive to keep patrons interested. That they succeed was demonstrated in the liberal applause they received yesterday afternoon. Their specialty is singing and dancing. The numbers containing much that is original and enjoyable. The dances include the clog, toe and gypsy steps and the songs are of a varied nature….
I note that the other acts on the bill include the “Metropolitan Trio,” “Love and King,” “Chick & Dog,” and “William & Perry.” “Queen O’ Diamonds” with Evelyn Brent is the feature picture.
“Queen O’ Diamonds” was released on 24 January 1926, which places the show in 1926.[i] Lent runs from Ash Wednesday to Easter. In 1926 this was from February 17th to April 4th. Easter was on April 4, 1926.
I haven’t previously found a date for Donna to have been at a State Theater during Lent of 1926.[ii]
New Venue Added: Between 17 Feb 1926 and 4 April 1926 – Unknown Location – State Theater – Darling Revue – DDC-48.
Interestingly the two articles from this page of the Donna Darling Collection were from 1926; however, neither of the photographs are. Both photos are clearly of Donna’s son, Russell. Russell was born in August 1927. In both cases, he appears to be about three years old, so I estimate the photos to be ca. 1930.
For this week’s Treasure Chest Tuesday, I’m looking at a page from the Donna Darling Collection. The page includes two photos, one ad for the Bijou, one non-descript ad, and two articles about Donna and Sammy playing at Lowe’s.
Lowe’s Theatre – “Seven Sinners”
The only item identified with a date is the clipping for Loew’s Theatre – “Seven Sinners”. It indicates June 24, 25, 26 and “Ont.) IMDB indicates that the movie was released on 7 November 1925 in the USA. That would suggest the film played at Loew’s in June 1926.
Donna and Sammy played at the Capitol Theater in Kitchener on June 21, 22, & 23, so it fits that after Kitchener they went the 110km (68 miles) to London to play at the Loew’s Theatre there.
The first article reads:
Dona Darling, former Zeifield Follies girl, heads an all-star vaudeville cast at Loew’s Theatre the last half of this week, and together with the famous crook story, “Seven Sinners,” as the feature picture, London theatregoers are treated to a perfectly balanced theatre bill. Mary Prevost makes a crook really too pleasant to be natural, and Clive Brook, the hero, is an excellent parallel.
The story is interesting in its novelty; everybody in it is a crook, but everybody manages to enlist the sympathies of the audience before the picture ends. The settinsg [sic] show careful choosing and the plot development is well worked out. The story consists of the efforts of seven crooks to steal jewels from a deserted mansion, and then, when the house is quarantined with them inside it, the owner returns. Situations develop which are in turn funny and tense, until, at the end, crooks are probed to be sometimes nearly human, after all.
The vaudeville bill is exceptionally fine. It is seldom that London audiences have the pleasure of seeing such smooth aerial performancers as the Aerial Smiths on the same bill as the act given by Dave Fox and Jane Allyn. This is a comedy skit of unusual merit entitled, “To Let.” The last act on the bill, the Darling and Clark Revue, has five very capable performers. The dancing in the first part is especially good.
The second clipping appears to have been clipped without the information about the motion picture. The clipping says:
AT THE THEATERS
The trapeze work of the vaudeville program is carried out by the Aerial Smiths. It is said of them that they have been a long time at it, and it can be said for them that they haven’t wasted their time. They make other acts of their kind look like the last rose of summer, especially when the climax is reached and the woman shoots out on a trapeze that suddenly lengthens as she swings in mid-air.
Fox and Allen entertain with songs and patter based upon an unsatisfactory search for an apartment in a big town. They seem to please and draw to themselves a generous amount of the applause.
The Darling and Clark Revue is not the kind that deals exclusively in dancing. It has that, too, but it also has other features equally as entertaining, including songs, whistling, a clever recitation and a darkened-stage novelty. The whole is permeated with the personality of Miss Darling, there are five persons.
The third item is a simple ad for Donna and Sammy and “Their New Revue.” There is no theatre mentioned but it reminds us that Donna was “The Scintillating Beauty” and Sammy was the “Juvenile Komik.”
Next, are two photos that appear to shoe the entire cast of the Darling and Clark Revue. It looks like one photo was taken by Donna and includes Sammy as the third person from the left. The second one looks like it was taken by Sammy and has Donna as the third person from the left. I am quite certain the other three people in these photos are the other members of the show. I will need to do a little more research to determine what their names were.
Finally, there is an ad for “Decatur’s Favorite – The Bijou” It mentions three vaudeville acts: Donna Darling and Sammy Clare [sic] Revue “A Modern Vaudeville Frolic” Donna & Sammy’s show is playing with Paul & Darling “Two Broadway Rounders” and Billy De Armo doing a comedy novelty show. It wouldn’t be clear why this clipping would be on the same page with the Loew’s Theatre clippings unless you knew that Donna and Sammy played at the Bijou Theatre in Decatur, IL only eight days later.
I was able to add a new venue to Donna’s Career. She and Sammy played June 24 to 26, 1924, in their “Darling and Clark Revue” at Loew’s Theatre in London, Ontario, Canada.
I was also able to add images I suspect are the three other performers in the show.
Finally, I was able to add another advertising clipping to Donna and Sammy’s show at the Bijou Theatre in Decatur, IL.
Research the other three individuals who play in the Darling and Clark Revue.
For this week’s Treasure Chest Tuesday, I’m looking at “DSCN1419” from the Donna Darling Collection. There were five items on this page.
Loew’s … On the Stage – Donna Darling The Scintillating Beauty in “Her Jewel Review” and two other big acts.
The accompanying movie was Constance Talmadge in “Her Sister from Paris.” There were many Loew’s Theatre’s, so it isn’t clear which of the 147 Loew’s theatres this one was[i].
The second and third clippings provide the answer. One is a long, thin page header which indicates, “London Evening Advertiser, Friday, February 26, 1926.” The other is an article, “At the Theatres,” which describes what was playing at Loew’s Theatre. Together, with the advertisement clipping, they show Donna played at the Loew’s Theatre in London, Ontario, from February 25th through the 27th, 1926.
Donna Darling Revue is one of the best dancing and singing acts seen at Loew’s for some time. All the girls are beautiful, and they can dance. Miss Darling proves her versality by appearing in four different roles, singing and dancing in each. A splendid selection of costume dances brings calls for many encores and on the whole the girls prove a huge success.
Further searching on Cinema Treasures, indicated there was a Loew’s Theater, which was built in 1924, existed in London Ontario. I know that Donna played at the Capitol Theatre in Toronto, Ontario, from February 8th through the 13th, and at the Colonial Theatre in Detroit from February 28th through March 3rd, so her playing in London between them makes sense.
The fourth image was one of her dog. The photo was severely damaged over time and not worth trying to clean it up.
The final image was one of her husband, Sammy. It is a lovely photo that adds to my collection of Sammy photos. Long coat, hat, gloves, he looks so gangster from the 1920s. He clearly dressed in the style of the mid-1920s.
February 25-27, 1926 – Loew’s Theatre, London, Ontario – Donna Darling in “Her Jewel Revue” added to Donna’s list of performances.
Research Loew’s Theatre in London, Ontario and write about her show there and the theatre.
For this week’s Treasure Chest Tuesday, I’m looking at another news clipping from the Donna Darling Collection.
…. Donna Darling the well known musical comedy star….
… Miss Donna Darling, the musical comedy star assisted by Murry Walker and Jack Finney will appear in a song and dance cocktail “As you Like It.” Miss Darling will wear in one number a costly gown on which there are more than 20,000 pearls. This is one of the most elaborate gowns ever worn on the American star. Each number of this lavish offering has its special sets and costume effects. A cloth of gold drop is used. The three sing some of the comedy numbers from the Floradora sextette and a number from the musical comedy “Sally,” do some dances to “Irene” music, and other musical comedy hits are introduced with special settings and costumes. The three are exceptionally good dancers as well as singers.
One of the features of the offering will be a burlesque of an Egyptian dance.
Miss Darling is well known to Cantonians as she played here as the prima donna of “Chin Chin” two seasons ago when this big musical comedy played at the Grand. [April 1, 1920 – Canton, OH – Grand Opera House]
The venue is the Lyceum Theater.
The show is the “As You Like It” starring Donna Darling assisted by Murry Walker and Jack Finney.
Also on bill
Valerie Bergere was the top bill in a new Japanese comedy-drama, “O Joy San.”
Lew Hoffman displayed his skills with hats in “The Hattery.”
Miss Lillian Conroy & her brother John used a 5500-gallon water tank for an aquatic show.
Jean McCoy & Ralph Walton present “A Few Minutes with Ouija.”
Joe Rome & Lou Gaut show “When Extremes Meet” as dancers, singers & storytellers.
I always love it when Donna writes the source information on the clipping page. In this case, she wrote “Mar 12 – Sun Repositor – Canton, Ohio.” This matched perfectly with a show I already knew about. On March 12-16 she played at the Lyceum Theater in Canton Ohio.
The article included some interesting tidbits. In particular, I had not previously known that her dress had “over 20,000 pearls.” Wow, that must have been quite the dress.
Added a note about DDC to the previous entry:
March 12-16, 1922 – Canton, Ohio – Lyceum – Donna Darling – Genealogy Bank – DDC – Part 45.