I have long known that Donna played at the Cosmos Theater in Washington D.C. a couple times. First, she did the “California Bathing Girls” show on September 19-21, 1920. She then returned to the Cosmos in March 1921. The clippings that she had were from the September show as evidenced by the other acts on the playbill. The second clipping for the Crescent Theatre in Perth Amboy is confusing and proves I got something wrong in a previous posting.
Cosmos—“California Bathing Girls”
“The California Bathing Girls,” Tom Rooney’s Broadway sensation, the headline attraction at the Cosmos theater this week, foretells an early spring, if weight and daintiness of costumes and the unfolding of feminine buds be an indication. Donna Montran, an attractive singer, introduces the bathers one by one, and Anna La Toy executes some difficult and attractive poses….”
The Crescent—“As You Like It”
The clipping is from the Perth Amboy Evening News dated May 11, 1922, and shows Donna Darling & Company in “As You Like It” with Murray Walker and Jack Finney in a Song and dance cocktail. There wouldn’t be any question about the show and the date except I had previously determined that Donna and Company played B.F. Keith’s Greenpoint Theater the week of 11-17 May 1922 (See Donna Darling at B.F. Keith’s Greenpoint.) So, now I am confused. I’ll need to do a lot more research on her playing at both theaters to be sure of the dates.
What I learned:
Consequent to the above, I have updated the Donna Montran Timeline to include the following:
May 11, 1922 – Perth Amboy – Donna Darling & Company in “As You Like It” (Possible conflict with B. F. Keith’s Greenpoint)
Treasure Chest Thursday
By Don Taylor
Donna Montran – Ill and Injured
The Donna Darling Collection has a page that included four little clippings. None of the four were dated. Elsewhere on that scrapbook page are articles regarding Donna’s playing at the Cosmos Theater in Washington DC in March. (More about that in another post.)
ILL AND INJURED [Transcript]
“Dave Kramer (Kramer and Boyle dislocated his knee in stepping out of an automobile. The team were forced to cancel the last half of last week as a result. (April 21)”
“Bill Vidocq. Keith agent, has returned from Lakewood and is back on the fifth floor of the Keith Exchange.
“Illness beset the Donna Montra [sic] and Bathing Girls Revue last week twofold when Juva Marconi dislocated her hip while dancing, causing her confinement in the Lankanau Hospital, Philadelphia. Later in the week Miss Montran, the prima donna of the company, underwent a nose and throat operation in New York.
[Globe Theatre, Philadelphia, May 16]
“Donna Montran, who with her Bathing Beauties was forced to cancel some time through the necessity of an operation recently, has fully recovered and opens at the Globe theatre, Philadelphia, for a return engagement, May 16.”
“Ann Troy, dancer, has replaced Juva Marconi in the Donna Montran and her Bathing Beauties act.”
[Donna Takes Summer Off]
“Donna Montran closed her Bathing Beauties act last week and will rest up for the summer. She will appear in production next season.”
In April 1920, Donna was still performing with “Chin-Chin” in Maryland.
In March 1921, Donna was performing “Donna Montran and her California Bathing Beauties.”
By April 1922, Donna had changed her stage name to “Donna Darling.”
So, we know that “ILL AND INJURED” must be referring to 1921.
April 21 was the last half of the week of April 17 to 23. That means that Juva Marconi must have dislocated her hip sometime around April 17 to 19 and that Donna must have gone to New York for her surgery about 20th or 21st.
In Clipping 2, we learn the Donna and her Bathing Beauties opened at the Globe Theatre, Philadelphia on May 16.
In Clipping 3, we learn that Ann Troy replaced Juva Marconi in the show.
In Clipping 4, we learn that the show closed for the summer. It is unclear when that occurred.
What I learned:
Donna and her Bathing Beauties, including Juva Marconi, must have been playing in Philadelphia or somewhere near Philadelphia the week of 17 April 1921. Possibly the Globe Theatre.
Donna went to New York for nose and throat surgery about 20 April 1920.
Donna and her Bathing Beauties “returned” to the Globe theatre on May 16.
Donna and her Bathing Beauties closed sometime after May 16 for the summer.
Consequent to the above, I have updated the Donna Montran Timeline to include the following:
April 17, 1921 – Unknown Theater near Philadelphia (Possibly the Globe Theatre).
May 16, 1921 – Globe Theatre, Philadelphia, PA – Donna Montran and her Bathing Beauties.
Date unknown [May, June, or July 1921] – Donna Closed the Show for the Summer.
After I graduated from high school, I moved to Northeast Minneapolis and got a job at Grace-Lee Products, Inc., 1414 Marshall Avenue in Minneapolis. They manufactured and packaged industrial chemicals. My job was to move 55-gallon drums of chemicals from one place to another. Grace-Lee was a dangerous place to work, but it paid reasonably well for unskilled labor. I recall that a drum of caustic potash (Potassium hydroxide) accidentally opened and the powder came up into the person’s face. He lost an eye and I realized this was an extremely hazardous place to work. Shortly after that, Honeywell hired me to work in their Golden Valley plant.
At Honeywell, I worked in the paint department racking and stacking thermostat rings to go through the paint booth then taking them off the fixture and packaging them. Those thermostats haven’t changed much since 1968 when I work there. I knew that I didn’t want to follow my step-father to be an assembly-line painter, so I decided to join the Navy. I enlisted under a 120-day deferment program where I enlisted in September, saving me from the draft but not going active duty until January, after the holidays.
After Boot Camp, I was enticed to sign a “promissory to extend” in order to go to “A” School and learn a trade. I agreed to do so and went to about a year of electronics training, first eight weeks in San Diego, then 42 weeks at Treasure Island (San Francisco). I was in a really smart class. Nearly everyone in my class received very high grades. After school, your next duty station depended upon where you placed in your class. I think I was 8th in a 20, so I knew I was going to sea. After I realized that, I took an administrative assignment for a few weeks, which put me into another class. In that new class, I was number one. As number one in the class, I was able to select the best duty station offered–a tour at Boardman Bombing Range, Boardman Oregon. Two years in Oregon sounded great, so I took it. I thought, “Hopefully the Viet Nam war would be over by the time my duty in Oregon was complete.” No such luck.
Boardman Bombing Range, Boardman, Oregon
In Oregon, I was a bomb spotter most of the time. I worked on transmitters and receiver equipment used to talk with the aircraft doing their bombing runs. Also, the base had M56 90MM Mobile Guns that had their gun removed and then converted to remote control. We would operate them remotely as mobile targets for the aircraft to bomb. In both cases, the electronics seldom broke down, so time was spent on preventative maintenance and repairing the mobile targets. I had no formal training or education while at Boardman.
CTMS – Cryptographic Technical Maintenance School, Mare Island (Vallejo. California
After two years in Oregon, it was time for sea duty, and I received orders to the USS Kitty Hawk (CVA-63). On my way there I was sent to CTMS Mare Island (Vallejo, California) and attended a “C” school for eight weeks. There I learned to the KY-8, shipboard crypto equipment used on ships for secure voice communications with aircraft. It was a challenging class (understanding how crypto works can be a challenge) at a big building with no windows on Mare Island.
These Navy schools did what I was hoping for. I learned the basics of a vocation, electronics maintenance and repair, that gave me the fundamentals of electronics that carried me through the rest of my life. Navy Schools were a great beginning, but I wanted more. The USS Kitty Hawk and the Program for Afloat College Education would help me further my education.
Treasure Chest Thursday
By Don Taylor
For this week’s Treasure Chest Thursday, I’m looking at a large clipping from the Donna Darling Collection. Initially, it covered two pages in the scrapbook. I was able to take the two pages, crop them, then join them together using Photoshop Elements. The seam between the two images isn’t too bad.
During my recent research using Newspapers.Com, I learned that Donna and Sammy played at the Columbia Theater in Phoenix, Arizona, September 30th thru October 3rd, 1926. Now I can put these images with my newspaper images and write about the show sometime in the future.
Columbia Today – Vaudeville Clipping
Donna Darling Revue with Sammy Clark.
The Five Vaudeville Road Show Acts
Colonial Princess Winona – Indian Prima Donna
Curtis & Lawrence in “Is that the Custom”
Donna Darling Review with Sammy Clark A Riot of Beauty and Melody
Zhun & Dreis “Dementus Americanos—Habitat North America”
Morrell & Elynor Featuring the Charleston on Skates – Beauty Grace Speed
For this week’s Treasure Chest Thursday, I’m looking at several vaudeville clippings from three different pages of the Donna Darling Collection. All of them relate to the Colonial Theater. One to the Colonial Theater in Lancaster, PA. The second one the Colonial Theater in Washington DC, and the third Colonial theater in Detroit, MI. Determining the various locations and dates was challenging but led to new words for my vocabulary and some amazing finds.
Lancaster, PA – Colonial Theater
The first venue was easy to analyze. Donna wrote on the clipping “Lancaster Pa Apr. 15.” It appears that she also wrote “Intelligence.” but I have no idea what that might mean in this context.
Colonial – Keith Vaudeville – Best in the World Monday, Tuesday, Wednesday—April 17, 18, 19 Special Easter Show Miss Donna Daring and Co…. Bruce Morgan and Tom Moran, Valentine Vox, Transfield Sisters, [Movie] “Haunted Spooks: A Two-reel Lloyd Comedy…
PROGRAM AT COLONIAL STARTS WITH WHIRL
Yesterday’s, today’s and tomorrow’s program at the Colonial Theatre, opened with a whirl at last evening’s show. “A Song, A Dance and a Cocktail,” was the feature of the show. Miss Dona Darling eclipsed the limelight in brightness, wit and personality of exceptional quality combined with a vein of rascality that had the audience in constant bursts of amusement.
The rest of the program….
Donna Darling and Company was a show that she had during 1922. A quick check of a 1922 calendar confirmed that April 17th, 18th, and 19th, were Monday, Tuesday, and Wednesday in 1922. Then on Cinema Treasures, I confirmed that there was once a Colonial Theater in Lancaster, PA. It opened before 1914 and later became the Boyd Theater. Besides the newspaper ad there were two short write-ups regarding the show. This was a new date and location for me. Of particular interest is that the newspaper clearly says, “Donna Daring.” This is a new search parameter for me to use in the future.
Washington, DC – Colonial Theater
Colonial Theater – Two Shows 2 P.M., 7:30 Tom Rooney Presents Donna Montran and Her California Bathing Beauties presenting “A Classy Beach Promenade” An Up to the Minute Musical Tabloid A Carload of Scenery and Fetching Costumes
Also, on the bill:
Little Dolly Dimples and her “Man O’ Wars Man”
Taylor & Brown – Daring Doings Herbert Trainor – Pleasing Magic Davis & Kidaire “Make ‘em Smile Boys” [Movie] Alice Calhoun Vtagraph [sic] Favorite in Princess Jones (6 Parts)
The second clipping was dated March 15th. Donna still went by Montran and she did her California Bathing Beauties in 1921. Monday, Tuesday, and Wednesday of March 1921 were the 14th, 15th, and 16th. Her mentioning it was the Washington papers that the ad ran in, tightens the location to the Colonial Theater in Washington, DC.
Detroit, MI – Colonial Theater
Featured in Vaudeville
The following features are announced for the week by the leading vaudeville houses:
Temple –May Wirth….
Colonial – A beautifully stages singing and dancing act in a futuristic version of the nether regions[ii], offered by Donna Darling, former Follies performer, is to headline the vaudeville. Miss Darling and Sammy Clark are both well known stars of terpischore[iii] and are assisted in the act by Barring, Lazure and Hal Dixon. Other acts include…. The Colonial announces a special New Year’s eve show, starting at midnight.
This third clipping confused me a bit. I misread the last sentence which says, “The Colonial announces a special New Year’s eve show, starting at midnight.” I misread that it to mean the special show was while Donna was playing there. I searched and searched for a place that had both a Temple Theater and a Colonial Theater. I could only find two places, Chicago and Detroit. Being in Detroit during the holidays made sense as Donna’s mother lived there. I found she played at the Palace Theater in Rockford during Christmas and at the Orpheum in Des Moines in New Years. During my search I used many new search parameters to look for Donna. I ended up finding well over a hundred new dates and venues. It was truly amazing what I found. I have added the new dates and venues to my Donna Montran page.
I eventually came to the conclusion that the note regarding a New Year’s Eve show doesn’t apply to Donna’s show.
Three new dates and venues directly identified because of Donna’s Colonial Theater clippings.
Mar 14-16, 1921 – Washington, DC – Colonial Theatre – Donna Montran and her California Bathing Beauties. DDC Part 27
April 17-19, 1922 – Lancaster, PA – Colonial – Donna Daring and Co., DDC Part 27
December 19, 1926 – Detroit, Michigan – Colonial – Donna Darling Revue – DDC Part 27 – Also see: Genealogy Bank
There were also over 100 new dates and performance venues I discovered while doing this research. They have been applied to the Donna Montran Vaudeville Page.
Genealogy Bank was used extensively during this research.
Further search my newspaper sources for “Donna Daring.”
[i] I have cropped and sized all images for the web – Original scan’s available.
[ii] Wikipedia – Hell, the Underworld, or any place of darkness or eternal suffering
[iii] [sic] “terpischore” should be terpsichore – Wikipedia – In Greek mythology, Terpsichore (/tərpˈsɪkəriː/; Τερψιχόρη) “delight in dancing” was one of the nine Muses and goddess of dance and chorus. She lends her name to the word “terpsichorean” which means “of or relating to dance”. https://en.wikipedia.org/wiki/Terpsichore